Marnie Weber

Patterns from the Leaves (8.04.12), 201227.9 x 21cm2400 USD

Details

MaterialGallery

Description

Human-crafted. AI-refined.

This image depicts a person's lower body and legs submerged in a stream or river, with a vibrant autumnal landscape in the background. The skin tones and patterns created by the refraction of light through the water create a distinctive visual effect. The composition and framing draw the viewer's attention to the interplay between the human form and the natural environment. The artistic style appears to utilize natural lighting and the inherent beauty of the scene to create a captivating and contemplative work. The intention behind this piece may be to explore the relationship between the human body and the natural world, or to evoke a sense of serene tranquility. ...

Similar Artworks

Alice AycockDarkness Visible : #3 Twister Again, 2019Price on Request

Michelle GrabnerUntitled, 201715500 USD

Mie YimThistle, 20216000 USD

Julia ScherCivetta, 2024Price on Request

Jan WadeBoneheads, 20042500 USD

Sara FloresUntitled (Ani Bero 3, ), 2023Price on Request

Julia ScherPakhet, 2024Price on Request

Mie YimMariposa, 202319000 USD

Kiki SmithSpiral Nebula (Large), 2017Price on Request

Michelle GrabnerUntitled, 202113500 USD

Sara FloresUntitled (Maya Kené 2, ), 2021Price on Request

Jan WadeGive Them Their Flowers, 202212500 USD

Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR

Alice AycockSpinning Top #2, 2023Price on Request

Donna GottschalkHelaine on her girlfriend's lap, Provincetown, 19743500 EUR

Artist

Marnie Weber

B.1959, American

Marnie Weber is a multi-media artist who works in film, performance, music, collage, sculpture and installation. Her early films are short poetic narratives in which Weber performs in costume as the primary character interacting with objects and props. This persona is often derived from a character she performed as on stage, starting in the late 80's. Weber is the director of all films, and creates all the costumes, props, sets and soundtracks. Weber’s later films are more complex and encompass other characters, and people in costumes with whom she interacts with along the way. There is an intentional homemade quality to the films and innocence and naïveté are embraced in her overall aesthetic. ...