Marnie Weber

Cactus Devil (8.24.12), 201230.2 x 22cm2400 USD

Details

MaterialGalleryLocation

collage on paperPraz-DelavalladeParis

Description

Human-crafted. AI-refined.

This striking contemporary artwork features a vibrant and surreal visual composition. The color palette is dominated by warm, earthy tones, with the vibrant yellow blooms of the flowers contrasting against the patterned backdrop. The overall composition is asymmetrical, creating a sense of dynamism and tension. The central figure, depicted in a contemplative pose, is shrouded in a mysterious mask-like visage, adding an enigmatic element to the piece. The artwork seems to explore themes of identity, nature, and the human condition, blending surreal and figurative elements in a visually captivating manner. The artist's intention may be to prompt reflection on the complexities of the human experience and our relationship with the natural world. ...

Similar Artworks

Alice AycockSpinning Top #2, 2023Price on Request

Mie YimFever, 202222000 USD

Julia ScherCivetta, 2024Price on Request

Sara FloresUntitled (Tayan Kené 2, ), 2023Price on Request

Alice AycockDarkness Visible : #3 Twister Again, 2019Price on Request

Julia ScherGreta, 2022Price on Request

Jan WadeGive Them Their Flowers, 202212500 USD

Kiki SmithSpiral Nebula (Large), 2017Price on Request

Mie YimSheepwolf, 202317500 USD

Donna GottschalkMyla, 16 years old, San Francisco, California, 19734150 EUR

Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR

Michelle GrabnerUntitled, 2022600 USD

Artist

Marnie Weber

B.1959, American

Marnie Weber is a multi-media artist who works in film, performance, music, collage, sculpture and installation. Her early films are short poetic narratives in which Weber performs in costume as the primary character interacting with objects and props. This persona is often derived from a character she performed as on stage, starting in the late 80's. Weber is the director of all films, and creates all the costumes, props, sets and soundtracks. Weber’s later films are more complex and encompass other characters, and people in costumes with whom she interacts with along the way. There is an intentional homemade quality to the films and innocence and naïveté are embraced in her overall aesthetic. ...