Heaven Bound (7.27.12)

Marnie Weber

Heaven Bound (7.27.12), 201229.3 x 21.4cmSign in to view price
Details
MaterialGallery
collage on paperPraz-Delavallade
Description
Human-crafted. AI-refined.

The artwork features an abstracted female figure sitting in a contemplative pose against a serene natural landscape. The composition uses striking colors and bold, expressive brushstrokes to create a dreamlike, ethereal atmosphere. The subject's elongated, almost bird-like form and the juxtaposition of the natural setting suggest a symbolic exploration of themes related to the human condition and our connection to the natural world. The artist's distinctive surreal style and masterful use of light and shadow lend the piece a sense of mystery and emotional depth, inviting the viewer to ponder the deeper meaning behind this captivating visual narrative. ...

Similar Artworks
Untitled
Michelle GrabnerUntitled, 2021
123.2 x 123.2 x 4.4cm
Fever
Untitled
Michelle GrabnerUntitled, 2017
50.8 x 40.6cm
Sunny side
Mariposa
Untitled
Michelle GrabnerUntitled, 2021
34.3 x 34.3 x 3.8cm
Untitled
Michelle GrabnerUntitled, 2021
34.3 x 34.3 x 3.8cm
Untitled
Michelle GrabnerUntitled, 2021
81.3 x 81.3 x 2.5cm
Civetta
Julia ScherCivetta, 2024
101 x 35.5 x 34.5cm
Spinning Top #2
Wax Museum
Thistle
Boneheads
Untitled
Michelle GrabnerUntitled, 2021
34.3 x 20.3 x 7.6cm
Pakhet
Julia ScherPakhet, 2024
101 x 35.5 x 34.5cm
Greta
Julia ScherGreta, 2022
40 x 76 x 30cm
Untitled
Michelle GrabnerUntitled, 2023
19.05 x 33.02cm
Spiral Nebula (Large)
Sheepwolf
Kitten Prayer (5.21.12)
Artist
Marnie Weber
B.1959, American

Marnie Weber is a multi-media artist who works in film, performance, music, collage, sculpture and installation. Her early films are short poetic narratives in which Weber performs in costume as the primary character interacting with objects and props. This persona is often derived from a character she performed as on stage, starting in the late 80's. Weber is the director of all films, and creates all the costumes, props, sets and soundtracks. Weber’s later films are more complex and encompass other characters, and people in costumes with whom she interacts with along the way. There is an intentional homemade quality to the films and innocence and naïveté are embraced in her overall aesthetic. ...

Praz-Delavallade
Gallery
Praz-Delavallade
Paris, Los Angeles

Unlock Price & Inquiry Access