The artwork features a close-up image of a person's hands, capturing the intricate details of their fingers and nails. The composition is centered on the hands, creating a sense of intimacy and focus. The colors are muted, with a predominant palette of dark tones, adding a somber and contemplative atmosphere. The artistic style appears to be a photographic technique, showcasing the artist's ability to frame and capture a moment that explores the physicality of the human form. This work may suggest themes of manual labor, personal expression, or the quiet moments of human experience. ...
Moka Lee’s portraits capture the likeness of social media strangers. The painter’s intimate canvases explore the gap between who we are and who we pretend to be ‘A face alone can say so many things,’ says Moka Lee. ‘It indicates so much about a person, and I think understanding small nuances and being able to observe the tiniest flickers of emotion is quite fun and necessary.’ The artist, who lives and works in Seoul, paints enigmatic portraits of young women that explore the gap between who we are and how we appear. For inspiration, she turns to what she calls ‘the most convenient tool’ when you’re after an ever-expanding pool of images: social media.
Lee often comes up with a narrative, then scrolls through various social-media channels. When she stumbles upon a post she likes, she contacts the account holder and buys the rights to paint an enlarged and adjusted version of the photograph. ‘This process allows me to empathize with the subject,’ she tells me. ‘But there isn’t any real personal interaction, which I think is representative of how we live today.’ Lee believes that such emotional distance enables her to approach her subjects objectively and to reconfigure their characters with precision.
With their quality and queasy lighting, the final portraits are surreal yet strangely beautiful. Bold outlines and murky shadows contribute to an atmosphere that teeters between innocent and eerie. In I’m Not Like Me (2020), a girl with dark eyes and crimson lips gazes up at the viewer from her bed, the strap of her pale-pink camisole slipping from her shoulder, the room dimly lit. In Dark Ray (2021), another girl stands on a beach in a swimsuit, the sky an azure, her hands shading her eyes – either from the sun, or from the viewer.
‘Painting a face is difficult,’ explains Lee. ‘Even the most minuscule modification in detail can change the narrative completely.’ In adapting her source images, the artist explores how physical features and aesthetic choices relate to identity. In her paintings, she also encourages viewers to really look at what – and who – appears before us. It’s a different kind of looking than that which takes place online, and one that begs the question: is this a dream, or is this reality?
– Chlöe Ashby, 2023
Moka Lee (b. 1996, South Korea) lives and works in Seoul. Her work has been exhibited at the Museum of Contemporary Art, Busan; Museum Head, Seoul; Chang Ucchin Museum of Art, Yangju; amongst others. Carlos/Ishikawa will stage her first major solo presentation in the UK in early 2025.
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Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...
