This abstract sculpture features a complex, geometric wire frame structure in a monochromatic metal tone. The intricate, latticed pattern creates a sense of depth and fragility, with protruding angular elements that intersect and interlock. At the center, a void reveals a dark, shadowy recess, heightening the work's sense of tension and ambiguity. The artist's use of industrial materials and a minimalist aesthetic suggests a commentary on ideas of containment, fragmentation, and the relationship between positive and negative space. This thought-provoking piece reflects the contemporary sculptor's exploration of form, materiality, and the boundaries of sculptural expression. ...
Rosalie Becher is a german artist born in 2000. Having studied at the Kunstakademie Düsseldorf and the Beaux-Arts de Paris, she now lives and works in Paris.
Her work combines sculpture, drawing and writing. The notions of meeting and reflection of the self and the body in relation to space and its perpetual state of construction are central themes in her work. Her sculptures construct a paradoxical place at the intersection of body and void, light and opacity, where the fragility and cutting ferocity of her materials play together. Nourished by research in history and psychology, Rosalie‘s works invite viewers to rest in this place of paradoxical ambiguity and ambivalence. After her current residency at Villa Belleville, she will be in residence at the Cité des Arts Internationale in Paris. ...
Founded in 2021 and nestled in Milan’s vibrant, post-industrial Lambrate district, ArtNoble Gallery is a contemporary art gallery whose experimental program focuses on artists of the latest generation. Our program bridges boundaries, bringing together emerging talent both from Italy and abroad to explore themes of identity, origins, and the shifting currents of contemporary society. With a commitment to experimentation, our exhibitions are often conceived as site-specific interventions, creating a seamless dialogue between the artwork and the space itself. ...
