Energy Budget
Energy Budget
Energy Budget
Energy Budget
Energy Budget
Energy Budget
Energy Budget
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork presents a close-up view of an electrical panel, emphasizing the intricate array of switches, terminals, and wires. The predominant colors are muted tones of gray, with the copper wiring providing a warm, metallic accent. The overall composition conveys a sense of order and functionality, reflecting the meticulous engineering behind the industrial design. The subject matter, though not immediately recognizable, suggests the hidden complexities and mechanisms that power our modern world. The artist's intention may be to draw attention to the often-overlooked technological infrastructure that underpins our everyday lives. ...

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Energy Budget
Artist
Nina Canell
B.1979, Swedish

The practice of Swedish artist Nina Canell sheds light on immaterial, intangible forces and relations between objects. Her sculptures objectify these invisible transfers, expressed in tangible form. Canell’s practice, which often involves electrical currents, is informed by how energy is negotiated, interrupted and displaced. The artist is interested in how her sculptures can act as conduits that move, transmit and extend the energy that runs through them. Canell mixes electricity with sound and solid matter and plays with weight and gravity, with many sculptures appearing suspended in space, unconstrained and liberated. Assemblages are formed from various materials, tightly woven into compact sculptures or scattered across the gallery floor as enigmatic utopian detritus. ...

Nina Canell: Artworks
Gum Shelf
Satin Ions (Weak)
Nina Canell
Satin Ions (Weak), 2017
Muscle Memory (12 tonnes)
Nina Canell
Muscle Memory (12 tonnes), 2021
Tapetum Lucidum (15 000V)
Nina Canell
Tapetum Lucidum (15 000V), 2025
91 x 120cm
Drag-out
Nina Canell
Drag-out, 2021
47 x 19 x 14cm
Polyethylene Feels
Nina Canell
Polyethylene Feels, 2019
49.1 x 36.2 x 1.8cm
Polyethylene Feels
Nina Canell
Polyethylene Feels, 2019
49.1 x 36.2 x 1.8cm
Muscle Memory
Nina Canell
Muscle Memory, 2019
65 x 10 x 15cm
Background
Metallurgic Weather
Nina Canell
Metallurgic Weather, 2019
4 x 44 x 3.8cm
Brief Syllable (Septupled)
Nina Canell
Brief Syllable (Septupled), 2019
117 x 13 x 13cm
Perpetuum Mobile (25 kg)
Nina Canell
Perpetuum Mobile (25 kg), 2014
Energy Budget
Shedding Sheaths (D)
Nina Canell
Shedding Sheaths (D), 2018
Cucumbery
Nina Canell
Cucumbery, 2018
35 x 35cm
Silurian Slurs
Nina Canell
Silurian Slurs, 2021
62 x 62 x 118cm
Energy Budget
Hardscapes (27 kg)
Nina Canell
Hardscapes (27 kg), 2023
71 x 60 x 7cm
Polyethylene Feels
Nina Canell
Polyethylene Feels, 2019
101 x 75 x 3cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

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