Polyethylene Feels
Polyethylene Feels
Polyethylene Feels
Polyethylene Feels

Nina Canell

Polyethylene Feels, 201949.1 x 36.2 x 1.8cmPrice on Request
Details
MaterialGallery
polyethylene, copper particles, woodKaufmann Repetto
Description
Human-crafted. AI-refined.

The artwork presents a minimalist composition featuring a series of subtle markings on a pale, textured surface. The visual elements consist of simple brown shapes resembling floral or organic motifs, arranged in a sparse and understated manner. The overall style is minimalist, with the artist utilizing a restrained palette and an emphasis on the materiality of the surface. The context suggests this may be an abstract work that invites the viewer to contemplate the interplay of form, texture, and the artist's gestural mark-making, hinting at a meditative or introspective quality. ...

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Energy Budget
Artist
Nina Canell
B.1979, Swedish

The practice of Swedish artist Nina Canell sheds light on immaterial, intangible forces and relations between objects. Her sculptures objectify these invisible transfers, expressed in tangible form. Canell’s practice, which often involves electrical currents, is informed by how energy is negotiated, interrupted and displaced. The artist is interested in how her sculptures can act as conduits that move, transmit and extend the energy that runs through them. Canell mixes electricity with sound and solid matter and plays with weight and gravity, with many sculptures appearing suspended in space, unconstrained and liberated. Assemblages are formed from various materials, tightly woven into compact sculptures or scattered across the gallery floor as enigmatic utopian detritus. ...

Nina Canell: Artworks
Gum Shelf
Nina CanellGum Shelf, 2017Price on Request
Satin Ions (Weak)
Nina CanellSatin Ions (Weak), 2017Price on Request
Polyethylene Feels
Nina CanellPolyethylene Feels, 2019Price on Request
Polyethylene Feels
Nina CanellPolyethylene Feels, 2019Price on Request
Muscle Memory
Nina CanellMuscle Memory, 2019Price on Request
Background
Nina CanellBackground, 2019Price on Request
Metallurgic Weather
Nina CanellMetallurgic Weather, 2019Price on Request
Brief Syllable (Septupled)
Nina CanellBrief Syllable (Septupled), 2019Price on Request
Perpetuum Mobile (25 kg)
Nina CanellPerpetuum Mobile (25 kg), 2014Price on Request
Pneus
Nina CanellPneus, 2019Price on Request
Energy Budget
Nina CanellEnergy Budget, 2017Price on Request
Shedding Sheaths (D)
Nina CanellShedding Sheaths (D), 2018Price on Request
Cucumbery
Nina CanellCucumbery, 2018Price on Request
Muscle Memory (12 tonnes)
Nina CanellMuscle Memory (12 tonnes), 2021Price on Request
Silurian Slurs
Nina CanellSilurian Slurs, 2021Price on Request
Energy Budget
Nina CanellEnergy Budget, 2024Price on Request
Hardscapes (27 kg)
Nina CanellHardscapes (27 kg), 2023Price on Request
Polyethylene Feels
Nina CanellPolyethylene Feels, 2019Price on Request
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...