Catachresis #74 (Teeth of the rake, elbow of the pipe, neck of the bottle)

Amalia Pica

Catachresis #74 (Teeth of the rake, elbow of the pipe, neck of the bottle), 201621 x 10 x 39cmSign in to view price
Details
MaterialGallery
found materialsProyectos Ultravioleta
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking composition of a gardening tool. The prominent elements are a curved wooden handle in a warm brown tone and a green rubber grip, contrasting with the sleek black metal prongs. The overall shape and form create a playful, surreal effect, blending the utility of a garden tool with a more abstract, sculptural quality. The minimalist, monochromatic palette and clean lines suggest a focus on the inherent aesthetics of the object, inviting the viewer to contemplate the intersection of form and function in everyday tools. This work likely explores themes of repurposing, transformation, and the artistic potential within the mundane. ...

Similar Artworks
Unfucking Titled (fuck)
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
Sun Set Down
Latifa EchakhchSun Set Down, 2022
200 x 150 x 5cm
Attachments #7
Nicole WermersAttachments #7, 2022
41.3 x 31.1 x 3.8cm
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
Dérives
Latifa EchakhchDérives, 2015
200 x 150cm
Derives 18
Latifa EchakhchDerives 18, 2011
200 x 150cm
Untitled (Square Moon)
Klara LidenUntitled (Square Moon), 2024
254.5 x 353.5 x 12.5cm
Untitled (black clouds)
No. 1141 Zigzag
Rana BegumNo. 1141 Zigzag, 2022
248.5 x 82.5 x 35cm
Tsubui ku aphuku
Nicole WermersTsubui ku aphuku, 2025
36 x 32 x 37cm ⌀1000cm
Amalia Pica
Artist
Amalia Pica
B.1978, Argentinian

Amalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...

Amalia Pica: Artworks
Keepsake #6
Paperweight #1
Paperweight #2
Paperweight #3
Paperweight #4
Paperweight #5
Proyectos Ultravioleta
Gallery
Proyectos Ultravioleta
Guatemala City

Proyectos Ultravioleta was founded in Guatemala City in 2009 as an independent artist-run space, and has since established itself as a leading voice in contemporary art in Latin America and beyond.

Unlock Price & Inquiry Access