Nina Canell

Pneus, 201920000 EUR

Details

MaterialGalleryLocation

fired clayKaufmann RepettoMilan

Description

Human-crafted. AI-refined.

The artwork features a minimalist composition of organic, irregularly shaped white ceramic forms arranged on a gray terrazzo floor. The neutral tones and simple, sculptural shapes evoke a sense of quiet contemplation, highlighting the inherent beauty and tactile qualities of the materials. The artist's intention seems to be exploring the interplay of form, texture, and space, inviting the viewer to engage with the work through a meditative, sensory experience. ...

Similar Artworks

Bouchra KhaliliThe Typographer, 201916000 EUR

Lisa OppenheimHeliograms, July 8th, / July 13th, 1876Price on Request

Amalia PicaPaperweight #1, 2024Price on Request

Amalia PicaPaperweight #2, 2024Price on Request

Nina BeierFemale Nude, 2021Price on Request

Bouchra KhaliliThe Constellations, 2011180000 EUR

Lisa OppenheimMan holding large camera photographing a cataclysmic event, possibly a volcano erupting, (Tiled Version III), 1908Price on Request

Latifa EchakhchCross Fade, 2016180000 EUR

Shannon EbnerText Mechanic Combination Generator, 201510500 USD

Michael DeanUnfucking Titled (fuck), 202130000 GBP

Mika RottenbergPonytails, 2018Price on Request

Virginia OvertonUntitled (rumination), 2022Price on Request

Artist

Nina Canell

1979 , Swedish

The practice of Swedish artist Nina Canell sheds light on immaterial, intangible forces and relations between objects. Her sculptures objectify these invisible transfers, expressed in tangible form. Canell’s practice, which often involves electrical currents, is informed by how energy is negotiated, interrupted and displaced. The artist is interested in how her sculptures can act as conduits that move, transmit and extend the energy that runs through them. Canell mixes electricity with sound and solid matter and plays with weight and gravity, with many sculptures appearing suspended in space, unconstrained and liberated. Assemblages are formed from various materials, tightly woven into compact sculptures or scattered across the gallery floor as enigmatic utopian detritus. ...

Nina Canell: Artworks

Nina CanellGum Shelf, 2017Price on Request

Nina CanellSatin Ions (Weak), 2017Price on Request

Nina CanellMuscle Memory (12 tonnes), 2021Price on Request

Nina CanellPolyethylene Feels, 201912000 EUR

Nina CanellMuscle Memory, 201915000 EUR

Nina CanellBackground, 201924000 EUR

Nina CanellMetallurgic Weather, 201915000 EUR

Nina CanellBrief Syllable (Septupled), 201926000 EUR

Nina CanellPerpetuum Mobile (25 kg), 201438000 EUR

Nina CanellPneus, 201920000 EUR

Nina CanellEnergy Budget, 201730000 EUR

Nina CanellShedding Sheaths (D), 201818000 EUR

Nina CanellCucumbery, 201818000 EUR

Nina CanellSilurian Slurs, 202136000 EUR

Nina CanellEnergy Budget, 202428000 EUR

Nina CanellHardscapes (27 kg), 202324000 EUR

Nina CanellPolyethylene Feels, 201915000 EUR

Gallery

Kaufmann Repetto

Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...