Piss Boys
Details
MaterialGallery
resin, inkjet print, hair, bones, ash, seagrass, oil pastel, gold leaf, finger nailsChisenhale Gallery
Description
Human-crafted. AI-refined.

This contemporary artwork features two framed images on a plain white background. The predominant color is a vibrant yellow, which creates a striking contrast with the darker, more muted tones of the photographic images. The composition is minimal, with the images positioned symmetrically and centered within the frames. The left image depicts a figure walking through a natural environment, possibly a stream or shallow water. The right image shows a stylized, abstract face with a curious and somewhat unsettling expression. The artist appears to be exploring themes of nature, the human form, and the subconscious through the juxtaposition of these disparate elements. The artwork employs a combination of photographic and mixed media techniques, blending traditional and experimental approaches. This piece likely reflects the artist's interest in exploring the boundaries between representation and abstraction, as well as the interplay between the natural and the manufactured. ...

P. Staff
Artist
P. Staff
B.1987, British

P. Staff makes film installations, performance art, and new media works Writer and filmmaker Juliet Jacques describes Staff's site-specific exhibition at the Serpentine Galleries, “On Venus,” as the following: “Staff’s site-specific exhibition at the Serpentine Sackler Gallery, ‘On Venus’, deals with biopolitics, looking at the ways in which exchanges between bodies, ecosystems and institutions affect human consciousness and behaviours – especially for queer, trans and non-binary people. A new video work also entitled On Venus, features two sections: the first presents warped archival footage of industrial farming for the production of meat, fur and hormones; the second features a poem about life on the uninhabitable planet Venus, conjuring a state of near-death that has parallels with trying to survive as a queer person in a heteronormative world. The surrounding installation impinges on the gallery itself, confronting entrants with a gargoyle weathered by acidic rain, a symbol of the worsening climate crisis, harshly lit against a reflective floor. The defamiliarizing effect of Staff's intervention rubs up against the history of the building, which was originally used as a gunpowder store. Pipes suspended from the ceiling leak acid into steel barrels, at once evoking chemical corrosion, the sharing of bodily fluids, and the uncontrollable, networked spread of viruses and data.” (Wikipedia) ...

P. Staff: Artworks
Piss Boys
Fuck the Clock
Blades
P. StaffBlades, 2019
135 x 91 x 5cm
Slug
P. StaffSlug, 2019
196 x 132 x 5cm
Glove
P. StaffGlove, 2019
135 x 91 x 5cm
Chain
P. StaffChain, 2019
135 x 91 x 5cm
Dribbler
Common Cup
Basin
P. StaffBasin, 2018
10 x 213 x 118cm
Old Clothes
Kaya Facedown
Public Drunk
P. StaffPublic Drunk, 2018
113.03 x 43 x 46cm
Piss Boys
P. StaffPiss Boys, 2021
17.78 x 12.7 x 2.54cm
Love Life (skulls)
Sunrise
Sunset
HHS-687
Chisenhale Gallery
Gallery
Chisenhale Gallery
London

Chisenhale Gallery is dedicated to placing artists at the core of its mission. They have supported the realisation of major works by an international array of artists, often solidifying careers through timely solo commissions, notably including Lubaina Himid, Wolfgang Tillmans, Cornelia Parker, Faisal Abdu’Allah, Hito Steyerl, Lynette Yiadom-Boakye, Yu Ji, Abbas Akhavan, Rachel Jones and Rory Pilgrim. Chisenhale Gallery was founded by artists. The same experimental vision and spirit of possibility that transformed an empty veneer factory and brewery warehouse into an art gallery continues to guide their work today. They commission and produce contemporary art, publish books and online material, and actively engage in social projects. ...