The image depicts a monochrome photograph of a person lying on a concrete surface, creating a somber and contemplative atmosphere. The composition is minimalist, with the subject occupying the central focus of the frame. The use of black and white emphasizes the stark, unforgiving nature of the environment, while the subject's pose suggests a state of vulnerability or introspection. The artwork appears to be exploring themes of isolation, existential questioning, or the human condition, inviting the viewer to ponder the deeper meaning behind the scene. ...
P. Staff makes film installations, performance art, and new media works Writer and filmmaker Juliet Jacques describes Staff's site-specific exhibition at the Serpentine Galleries, “On Venus,” as the following: “Staff’s site-specific exhibition at the Serpentine Sackler Gallery, ‘On Venus’, deals with biopolitics, looking at the ways in which exchanges between bodies, ecosystems and institutions affect human consciousness and behaviours – especially for queer, trans and non-binary people. A new video work also entitled On Venus, features two sections: the first presents warped archival footage of industrial farming for the production of meat, fur and hormones; the second features a poem about life on the uninhabitable planet Venus, conjuring a state of near-death that has parallels with trying to survive as a queer person in a heteronormative world. The surrounding installation impinges on the gallery itself, confronting entrants with a gargoyle weathered by acidic rain, a symbol of the worsening climate crisis, harshly lit against a reflective floor. The defamiliarizing effect of Staff's intervention rubs up against the history of the building, which was originally used as a gunpowder store. Pipes suspended from the ceiling leak acid into steel barrels, at once evoking chemical corrosion, the sharing of bodily fluids, and the uncontrollable, networked spread of viruses and data.” (Wikipedia) ...
-226?_a=BAVAZGBz0)
