Figure Babel (11)

Patricia Perez Eustaquio

Figure Babel (11), 2017152.4 x 99cmSign in to view price
Details
Material
graphite and gold leaf on paper
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking composition of abstracted natural forms. The central element is a sphere-like structure composed of intricately layered and overlapping shapes, textures, and patterns, evoking a sense of organic growth and transformation. Surrounding this central form are fragmented geometric shapes and textures, creating a visually striking balance between the organic and the geometric. The overall style and technique suggest a collage-like approach, blending photographic elements with drawn or painted components to produce a layered, dreamlike quality. This piece likely explores themes of the natural world, its cycles, and the interplay between natural and man-made elements. ...

Similar Artworks
DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [5]
Donna Huanca
DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [5], 2021
220 x 180cm
Firefly
Zoë Paul
Firefly, 2025
57.5 x 67.5 x 10cm
Undertone #14
Myra Greene
Undertone #14, 2017
10.1 x 7.6cm
Heavy Round 340 #19-02
Suki Seokyeong Kang
Heavy Round 340 #19-02, 2019
43 x 34cm
Aphrodite
Sara VanDerBeek
Aphrodite, 2012
182.88 x 121.92cm
Circled stair—step
Suki Seokyeong Kang
Circled stair—step, 2016
29 x 41 x 24cm
Marble Heart
Sara VanDerBeek
Marble Heart, 2012
50.8 x 40.6cm
Twilight
Zoë Paul
Twilight, 2025
90 x 59 x 16cm
Mother
Jeong—mat #18-01
Suki Seokyeong Kang
Jeong—mat #18-01, 2018
166 x 62 x 40cm
Hiéroglyphes
Zoë Paul
Hiéroglyphes, 2025
165 x 101 x 25cm
Sans titre
I
Rove and Round—face #19-02
Suki Seokyeong Kang
Rove and Round—face #19-02, 2016
89 x 44 x 26cm
Electric Prism I
Sara VanDerBeek
Electric Prism I, 2015
50.8 x 38.7cm
Lace Interlace VI
Sara VanDerBeek
Lace Interlace VI, 2023
191 x 104 x 58cm
Untitled (Ref. #92) from Character Recognition
Myra Greene
Untitled (Ref. #92) from Character Recognition, 2006
27.9 x 27.9cm
Mountain #24-01
Suki Seokyeong Kang
Mountain #24-01, 2023
56 x 91 x 6cm
Eúphrosýne
Zoë Paul
Eúphrosýne, 2025
110.5 x 80.5 x 5cm
Mountain #23-29
Suki Seokyeong Kang
Mountain #23-29, 2023
48 x 80 x 6cm
Hospitalfield Pot 6 - man's bottom
Zoë Paul
Hospitalfield Pot 6 - man's bottom, 2018
50 x 55 x 35cm
Late Summer Moss-Paws Hugging Soul Sheet – Mesmerizing Mesh #207
Haegue Yang
Late Summer Moss-Paws Hugging Soul Sheet – Mesmerizing Mesh #207, 2023
92 x 62 x 3.5cm
Ostia Antica
Sara VanDerBeek
Ostia Antica, 2012
50.8 x 40cm
Wind in between dry grass when the sun begins to set
Zoë Paul
Wind in between dry grass when the sun begins to set, 2025
162 x 147 x 25cm
Electric Prism III
Sara VanDerBeek
Electric Prism III, 2015
50.8 x 38.7cm
Narrow Meadow #19-04
Suki Seokyeong Kang
Narrow Meadow #19-04, 2015
169 x 69 x 35cm
Piecework #38
Myra Greene
Piecework #38, 2019
187.9 x 172.7cm
OBSIDIAN LADDER
Mesmerizing Pagoda Lantern – Cabbage-Butterfly Aquatic Ultramundane Flowers
Haegue Yang
Mesmerizing Pagoda Lantern – Cabbage-Butterfly Aquatic Ultramundane Flowers, 2023
116 x 70 x 70cm
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206
Haegue Yang
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206, 2023
92 x 62 x 3.5cm
Lace Interlace VIII
Sara VanDerBeek
Lace Interlace VIII, 2023
61 x 40.6cm
Note—rope, mat, square #19-01
Suki Seokyeong Kang
Note—rope, mat, square #19-01, 2008
122 x 130 x 4cm
T.Z., Los Angeles, California
Myra Greene
T.Z., Los Angeles, California , 2007
53.3 x 53.3cm
Womb
Zoë Paul
Womb, 2025
145 x 118 x 2.5cm
CAMINATA FUERTE
Donna Huanca
CAMINATA FUERTE, 2021
150 x 113cm
Still life #11
Juliette Blightman
Still life #11, 2016
290 x 290cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Lagos still life II
Wolfgang Tillmans
Lagos still life II, 2022
30.5 x 40.6cm
The Hunters Enter the Woods
Artist
Patricia Perez Eustaquio
B.1977

Patricia Perez Eustaquio works with an organic mixture of painting, drawing, sculpture, textile and installation, using these media to explore the ever-evolving dynamics between craft, design and fine art. Perez Eustaquio states that her practice is guided by appetites and consumption, questioning how cultural tastes in particular are manufactured. Through using everyday domestic materials and items such as lace, rattan chairs or shoes, she’s able to trace the social histories and economic ties embedded within these objects, repositioning these habitual materials in a gallery context. Her well known ‘Ghost Sculptures’ for example are crafted from a combination of ‘high’ and ‘lowly’ materials. These hollow busts are constructed with latticed resin and lace, and draped in opulent fabrics, posing the question to viewers of how we fabricate our own identities through design, or perhaps, is our sense of self crafted through external cultural tides? In her paintings, Perez Eustaquio replicates specific details of old master paintings, perhaps a bird’s feather, a flower, or a vase, pedestalling these smaller details with their own canvas–again troubling hierarchies put in place by art history. Tender, lyrical and arresting, Perez Eustaquio’s work continues to destabilize cultural boundaries, urging viewers to reconsider their perceptions of both specific materials and wider socio-political currents. ...

Patricia Perez Eustaquio: Artworks
The Hunters Enter the Woods
Patricia Perez Eustaquio
The Hunters Enter the Woods, 2016
290 x 500cm
Figure Babel (11)
Patricia Perez Eustaquio
Figure Babel (11), 2017
152.4 x 99cm
Unlock Price & Inquiry Access