Around

Peter Davies

Around, 202530.5 x 25.3cmSign in to view price
Details
MaterialGallery
acrylic and pencil on canvasThe approach
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Peter Davies
Artist
Peter Davies
B.1970, British

Peter Davies utilizes a combination of conceptualism and formalism in his artwork, exploring the fleeting nature of pop-cultural information systems. He employs minimalist painting techniques to depict lists, charts, and bylines with a polished and sleek appearance. His abstract paintings often feature large canvases adorned with vivid yet imperfect patterns that convey ephemeral pop-cultural information. In his text-based works, he uses paint, language, and structure to discuss art as a commodity within the entertainment industry, positioning himself as a leader in this movement. Davies creates a massive flow chart, inspired by Beuys's blackboard works, to connect his artistic heroes through six degrees of separation and trace their lineage back to Beuys. He argues that there are only twelve simple connections between Picasso and Sarah Lucas, with Peter Doig and Matthew Barney's shared love of sports serving as a legitimate link. Despite the intricate linear thinking required by the flow chart, Davies believes it simplifies the complex connections between artists. ...

Peter Davies: Artworks
Withering glances
My dear friend
Some place else
Felt like home
Consequence
Peter DaviesConsequence, 2016
228.6 x 152.3 x 3.5cm
Redeployment
Peter DaviesRedeployment, 2016
213.4 x 167.6 x 3.5cm
Prologue
Peter DaviesPrologue, 2016
203.2 x 152.4 x 3.5cm
Lost love
Peter DaviesLost love, 2023
25.5 x 20.5cm
Sweet season
Burning heart
Peter DaviesBurning heart, 2023
2 x 20.5 x 20.5cm
I’m listening
Waiting
Peter DaviesWaiting, 2023
25.5 x 35.5cm
In the beginning
My elusive dream
AFTERSHOCK #33
Devil
Peter DaviesDevil, 2019
213.5 x 167.5cm
Crown
Peter DaviesCrown, 2019
213.5 x 167.5cm
Backhander
Peter DaviesBackhander, 2019
213.4 x 167.5cm
Glaring at me
Peter DaviesGlaring at me, 2019
182.9 x 172.7cm
PREMONITION #139
PREMONITION #134
PREMONITION #124
PREMONITION #123
PREMONITION #120
PREMONITION #107
PREMONITION #101
PREMONITION #84
PREMONITION #83
PREMONITION #80
PREMONITION #77
PREMONITION #63
Satellite
Peter DaviesSatellite, 2017
167.5 x 122cm
Shield
Peter DaviesShield, 2017
167.5 x 122cm
Idiom
Peter DaviesIdiom, 2017
213.5 x 167.5cm
Cosmos
Peter DaviesCosmos, 2015
152.5 x 122cm
Black Sun
Come Hither
Wings
Peter DaviesWings, 2023
25.5 x 20.5cm
On feeling
Peter DaviesOn feeling, 2023
35.5 x 20.5cm
Day and night
Friendship
Peter DaviesFriendship, 2024
40.8 x 50.9cm
How I feel
Peter DaviesHow I feel, 2024
50.8 x 35.6cm
For you
Peter DaviesFor you, 2024
91.4 x 66.1cm
Forever
Peter DaviesForever, 2024
25.4 x 20.5cm
That moment
Wounds that heal
Forever love
A single wish
More than hope
Tear drops
Peter DaviesTear drops, 2025
40.5 x 35.5cm
Around
Peter DaviesAround, 2025
30.5 x 25.3cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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