Sunstretch

Phoebe Unwin

Sunstretch, 2018183.4 x 153.5 x 2.5cm18000 GBP
Details
MaterialGallery
oil on canvasAmanda Wilkinson
Description
Human-crafted. AI-refined.

This contemporary abstract painting uses a warm color palette dominated by shades of orange, yellow, and pink, creating a hazy, atmospheric effect. The composition features amorphous, organic shapes that blend and overlap, suggesting a dreamlike, surreal landscape. The artist employs a loose, expressive brushwork to convey a sense of movement and fluidity, evoking a meditative, introspective mood. The overall style and visual language suggest a departure from representational art, inviting the viewer to interpret the work through personal and emotional responses rather than a literal narrative. ...

Similar Artworks
Tomb of the Unknown Refugee An Ongoing Memorial to Extinct Plants and Animals Monument to Money Laun...
Jeremy DellerTomb of the Unknown Refugee An Ongoing Memorial to Extinct Plants and Animals Monument to Money Laundering Culture War Memorial A Memorial to Civilian Dead in the Vietnam War , 2022Price on Request
Monochrome (Purple)
Angela De La CruzMonochrome (Purple), 2020Price on Request
No. 866 L Reflector
Rana BegumNo. 866 L Reflector, 2018Price on Request
Coffee
Gareth CadwalladerCoffee, 2018Price on Request
No. 1077
Rana BegumNo. 1077, 2021Price on Request
Pathways
Roger HiornsPathways, 2022Price on Request
History of the world
Jeremy DellerHistory of the world, 202340000 EUR
Dirty (Fuchsia)
Angela De La CruzDirty (Fuchsia), 2011Price on Request
Sweet Spot
Dee FerrisSweet Spot, 2017Price on Request
International Harvester
Sam WindettInternational Harvester, 201813000 GBP
BOY WITH WILDFLOWERS II
Luke Edward HallBOY WITH WILDFLOWERS II, 20246250 USD
Still life #11
Juliette BlightmanStill life #11, 2016Price on Request
Phoebe Unwin
Artist
Phoebe Unwin
B.1979, British

Phoebe Unwin fluidly uses oils, acrylics, pastels, watercolours and graphite in her sensorial works, carefully selecting her materials to best reflect the mood or emotion of the chosen subject matter. Never working from direct observation or photography, Unwin is principally concerned with painting what “something feels like, rather than what it looks like”. Fragments of figuration allow audiences to almost exactly recognise the plant, décor, vehicle or textile Unwin had recreated from her imagination. The translucent painterly quality and the amorphous bleeding of blues, pinks and yellows generates a cloudy sensation that echoes processes of memory or recollection. This deployment of colour and observation of tone is reflective of the colour work of Mark Rothko, while Unwin’s aqueous brushstrokes bow their heads to the Post-Impressionists. When looking at the works of Unwin, the viewer is utterly transported to a particular sensation through her intimate impression and understanding of a specific time and place. The image itself may be unclear, but its emotion is sensuously translated. ...

Phoebe Unwin: Artworks
Encounter
Phoebe UnwinEncounter, 20199000 GBP
Envelope
Phoebe UnwinEnvelope, 20197500 GBP
Pitch
Phoebe UnwinPitch, 201910000 GBP
Hair
Phoebe UnwinHair, 20197500 GBP
Clip
Phoebe UnwinClip, 20197500 GBP
Glass
Phoebe UnwinGlass, 20198500 GBP
Field
Phoebe UnwinField, 201818000 GBP
Sunstretch
Phoebe UnwinSunstretch, 201818000 GBP
Ascent
Phoebe UnwinAscent, 201818000 GBP
Machine in the Garden
Phoebe UnwinMachine in the Garden, 20188000 GBP
Osmosis : Petal
Phoebe UnwinOsmosis : Petal, 2020900 GBP
Osmosis : Roses
Phoebe UnwinOsmosis : Roses, 2020800 GBP
Osmosis : Wall
Phoebe UnwinOsmosis : Wall, 2020900 GBP
Forefoot
Phoebe UnwinForefoot, 202311051 USD
Anorak Window
Phoebe UnwinAnorak Window, 202310736 USD
Butterfly
Phoebe UnwinButterfly, 202212630 USD
Amanda Wilkinson
Gallery
Amanda Wilkinson
London

Amanda Wilkinson opened her gallery in November 2017, having been a partner in Wilkinson Gallery, and brought with her the artists that she had worked with since 2003. Most of these internationally renowned artists had their first solo UK exhibition at the gallery: Joan Jonas and Shimabuku in 2004, Sung Hwan Kim in 2007, Jimmy DeSana in 2009, and Laurie Simmons in 2011. The program has also introduced younger artists such as Heman Chong, Phoebe Unwin, Dorota Gawęda and Eglė Kulbokaitė all of whom have solo exhibitions in public institutions this year. Amanda Wilkinson is a trustee of the Derek Jarman Estate and is the sole gallery who represents the work. The program continues to highlight key historical artists who are little known to the wider art world, including Paolo Gioli, Ketty La Rocca and Margaret Raspé and will introduce new artists to the program in 2020 in keeping with the gallery’s experimental and cross-generational approach. The gallery has presented four Feature booths at ArtBasel in the past , featuring six artists from the program. Eight out of the twelve artists represented by the gallery had solo museum exhibitions in 2019/2020. ...