Jeremy Deller
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Description
Human-crafted. AI-refined.This striking artwork features a life-sized sculpture of an owl in flight, its wings dramatically outstretched. The sculpture is rendered in shades of brown and white, creating a striking contrast against the plain white background. The attention to detail in the feathers and talons is remarkable, capturing the powerful and graceful movement of the bird. The inclusion of a small red object clutched in the owl's talons adds a thought-provoking element, hinting at broader themes of consumerism and society's impact on the natural world. The piece showcases the artist's exceptional skill in sculpting and their ability to evoke a strong emotional response from the viewer. ...
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Jeremy Deller
1966 , BritishJeremy Deller is a conceptual artist who works across many mediums including sound, film, performance, print and sculpture. Described by critic Mark Brown as a “pied piper of popular culture”, his projects often draw on pivotal moments of social history or shed light on particular subcultures, such as the 90s rave scene, brass bands or folk art. Often working collaboratively with other filmmakers, musicians or artists, the works have a political investigative tone to them. With his collaborators, Deller unpacks the cultural imprint specific eras or historic events leave behind, using this immaterial social matter as the accumulative force for each body of work. His 2001 performance The Battle of Orgreave brought together nearly 1000 performers who re-enacted the bloody clash between miners and police in 1984, unearthing tensions within Britain’s immediate social history. Deller met Andy Warhol as a student in New York in the 80s and spent two weeks at The Factory. He cites Warhol as an inspiration to him, mirroring Warhol’s hunger for popular culture and the political undertones that run throughout it. Deller won the Turner prize in 2004 and represented Britain at the Venice Biennale in 2013. ...
Jeremy Deller: Artworks
Galerie Art : Concept
ParisTo avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...