The artwork features a striking, sculptural composition in bold, contrasting colors of yellow and black against a pale purple background. The dominant feature is a large, curved arch-like structure with a sleek, industrial aesthetic, suggesting a futuristic or technological theme. Beneath the arch, two distinct elements emerge: a rounded, spherical object and a series of thin, vertical rods or spines, creating a dynamic, asymmetrical balance. The piece appears to explore the interplay between organic and geometric forms, as well as the tension between technology and nature. The artist's intention likely touches on themes of innovation, transformation, and the evolving relationship between humans and the modern world. ...
Pierpaolo Campanini was born in Cento (Ferrara), in 1964. He lives and works in Italy.
Pierpaolo Campanini’s research explores the inherent limits and possibilities of painting, creating moments marked by a sense of incompleteness and transience: precariously united, ephemeral composites survive only through their painted representation. At the same time intimate and monumental, the sculptures assembled in his studio in a meticulous process of accumulation of objects and natural elements are, through pictorial mediation, rendered solitary creatures – inhabitants of a fictitious reality, both tangible and indefinite. ...
Corvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, Lynette Yiadom-Boakye, Alvaro Barrington, Jennifer Packer, Brian Calvin, Tomoaki Suzuki and established international artists such as Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye. Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, Roger Hiorns in 2004 and 2015, The Commune Itself Becomes a Super State by Liam Gillick in 2007, Rachel Feinstein in 2007, and Richard Hawkins in 2009. ...
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![No title [Snow and Birds]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1749045189/production/artworks/ingested/fe0ff8de-fa6e-4743-a498-67728674d28d?_a=BAVAZGID0)
![No title [Pomegranates and Branches]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1696585369/production/artworks/ingested/7e84fc64-e8a4-479c-9a1f-3b49342dea86?_a=BAVAZGID0)
![No title [Silver Dollar Branches]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1696433786/production/artworks/ingested/93c421fd-a25a-44d6-8121-54ba7aa57a59?_a=BAVAZGID0)
![No title [Struggle]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1696585367/production/artworks/ingested/0c6ebde1-8d72-4748-afd6-4dea48fb40ed?_a=BAVAZGID0)
![No title [Bouquet on Blue Background]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1696585347/production/artworks/ingested/0d3db9c5-644a-402b-9930-e463b1b9b935?_a=BAVAZGID0)
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![Untitled #23 [hoop]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1664968984/production/artworks/ingested/e1ca556a-4d01-4331-a8a6-6ffea350f2fd?_a=BAVAZGID0)
![No title [Seashore through Branches]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1696585383/production/artworks/ingested/44ad4579-8f11-412c-9cc0-fe15abe309f6?_a=BAVAZGID0)
