Projection: Arrow Moving Left to Right in a Straight Line

Robert Barry

Projection: Arrow Moving Left to Right in a Straight Line, 197227.9 x 43.3cmSign in to view price
Details
MaterialGallery
ink and letraset on graph paperMartins&Montero
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple black dot in the center of a stark white background, enclosed within a black frame. The clean, geometric composition and use of negative space create a sense of visual simplicity and elegance. The artwork's subject matter is reduced to the bare essentials, inviting the viewer to contemplate the power of minimalist design. This piece reflects the artist's intention to explore the profound effects that can be achieved through the most basic of visual elements. ...

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Untitled
Artist
Robert Barry
B.1936, American

Robert Barry is, since the mid 1960’s, one of the most important names in North-American conceptual art. After beginning his career with works that presented groups of monochromatic paintings in such a way that they could enhance the exhibition space’s characteristics, Robert Barry completely abandoned conventional painting by 1967 and started a brief series of installations made of transparent nylon cords, inert gases, radiation and electromagnetic energy. All invisible materials through which the artist aligned himself with the quest for the “dematerialization of the art object”, one of the main ideas that drove the development of 1960’s conceptual art. In 1969, in another radical change, Barry abandoned his series of invisible works (convinced that they were still related to a physical and measurable dimension) and begun to incorporate texts into his art, aiming to connect more directly with the spectators and to create a dynamic in which every though or reaction coming from the public in relation to the artist’s texts would became part of the work. Since then, it was through this textual language, its graphic and communicative power that Barry’s work developed and made him (along with names like Lawrence Weiner, Ed Ruscha, John Baldessari and Mel Bochner) one of the great North-American conceptual artists to work with the many potentialities inside written text. ...

Robert Barry: Artworks
Untitled
Robert Barry
Untitled, 1981
32 x 32cm
Untitled
Robert Barry
Untitled, 1981
25.5 x 25.5cm
Untitled
Robert Barry
Untitled, 1988
152 x 152cm
Untitled
Robert Barry
Untitled, 1990
86 x 86cm
Untitled
Robert Barry
Untitled, 1990
88 x 89cm
Study for “Somehow”
Robert Barry
Study for “Somehow”, 1982
35.6 x 44.5cm
Untitled
Robert Barry
Untitled, 1990
91.4 x 91.4cm
From Stefan...
Robert Barry
From Stefan..., 2009
67.6 x 101.6cm
Suite Six
Robert Barry
Suite Six, 1976
20.6 x 20.6cm
Projection: Rising Circle
Robert Barry
Projection: Rising Circle, 1973
27.9 x 43.3cm
Projection: Circle with Diameter Turning Clockwise
Robert Barry
Projection: Circle with Diameter Turning Clockwise, 1972
27.9 x 43.3cm
Projection: Arrow Moving Left to Right in a Straight Line
Robert Barry
Projection: Arrow Moving Left to Right in a Straight Line, 1972
27.9 x 43.3cm
Projection: Star Moving Left to Right in a Straight Line
Robert Barry
Projection: Star Moving Left to Right in a Straight Line, 1973
27.9 x 43.3cm
Untitled
Robert Barry
Untitled, 2019
30.5 x 30.5cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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