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Roger Muñoz's "Gorgon's Eye (Anti-Mother Final Boss)" features a teal and white wooden structure resembling a small house with a menacing skull perched on top. The piece uses bold colors and symmetrical shapes, combining playful architectural elements with dark, foreboding motifs. Its style merges pop and goth cultural references through textile art, evoking themes of power and monstrosity. Muñoz employs grim humor to critique societal structures, drawing from his Costa Rican background and global influences to explore tensions between native and imported cultures. ...
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Roger Muñoz (b. 1990, Costa Rica). He uses grim humor as a critical tool to project and visualize narratives related to power, monstrosity, and decadence. His practice is developed mainly through a pictorial perspective that branches out to other media such as video, installation, and transvestite performance.Through these media, he stages narratives of death and cruelty, social archetypes, and mythological relationships to unveil social class tensions and power dynamics. His work intersects dark humor, goth culture, and horror sub- cultures, on the other hand, with orientalism and latin american pop culture, on the other. We can think of his work as a sort of projection of tropical horror anchored in his country’s landscapes, trash TV, popular culture, the remnants of its underground subcultures, and horror movies. Roger's work thus reflects a global-era blend of developed-country imported culture and the native cultural context I was immersed in. ...