Mujer ofrendando hilo No.2

Sandra Monterroso

Mujer ofrendando hilo No.2, 2021156 x 26 x 16cmSign in to view price
Details
MaterialGallery
woven floor mats dyed with indigofera. natural fibers: wool, cotton yarn, hemp, wool and coconut / indigofera dyed foot loom rugs. natural fibers: wool, cotton yarn, hemp, wool and coconutInstituto de Visión
Description
Human-crafted. AI-refined.

The artwork presents a striking, draped figure in shades of deep blue and black. The composition is characterized by intricate, flowing textures and forms that evoke a sense of movement and ethereal mystery. The subject appears as an enigmatic, shrouded presence, hinting at concealed meaning or narrative. The artist employs a distinctive textile-based approach, utilizing knotted and woven materials to create an atmospheric, sculptural piece that invites contemplation of the human figure and its symbolic associations. This captivating work seems to explore themes of identity, concealment, and the interplay of material and immaterial elements. ...

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Artist
Sandra Monterroso
B.1974, Guatemalan

Sandra Monterroso’s work uses sophisticated strategies to point to historical moments of great tension. Using various languages such as performance or video, and various perspectives, Monterroso investigates and deepens ideas about personal, historical and colonial wounds. Her practice can be understood as an exercise of healing one’s own body and history or culture. Through her performative actions in which she includes sculpture, objects and installations, she projects her relationship with the sacred and how it manifests itself in a continuous mythical return, in contrast to the linearity proposed by a modern reading of reality. With a voice that resonates from her maternal lineage of Mayan Q’eq’chi culture, Sandra’s practice signals the symbolic, spiritual, social and political aspects that constantly alter contemporaneity. It is a timeless and polyphone discourse. Her reflections are directed towards an attempt to redefine her decolonized identity, for this reason her work makes a constant return to her geographical territory of origin, and she adopts and incorporates cultural elements of her ancestry through which she transforms her contemporary and contradictory condition. ...

Sandra Monterroso: Artworks
Ellas mismas son trenza trompetas y glifos
Sandra Monterroso
Ellas mismas son trenza trompetas y glifos, 2024
180 x 180 x 16cm
Piel en distorsión
Sandra Monterroso
Piel en distorsión, 2017
156 x 28 x 28cm
Piel en sanción
Sandra Monterroso
Piel en sanción, 2017
104 x 48 x 33cm
Piel en imperfección
Sandra Monterroso
Piel en imperfección, 2011
156 x 28 x 28cm
Imperfecciones 6/ Imperfections 6
Sandra Monterroso
Imperfecciones 6/ Imperfections 6, 2019
138 x 183cm
La otra Línea Histórica
Sandra Monterroso
La otra Línea Histórica, 2017
15.5 x 844cm
Tejido 10/ Tissue 10
Sandra Monterroso
Tejido 10/ Tissue 10, 2019
80 x 60cm
Composiciones Orgánicas1/ Organic Compositions 1
Sandra Monterroso
Composiciones Orgánicas1/ Organic Compositions 1, 2019
20 x 20cm
Territorio de bifurcación
Sandra Monterroso
Territorio de bifurcación, 2020
80 x 60.5cm
Tejido 6/ Tissue 6
Sandra Monterroso
Tejido 6/ Tissue 6, 2020
80 x 80cm
Tejido 7/ Tissue 7
Sandra Monterroso
Tejido 7/ Tissue 7, 2020
80 x 60.5cm
Jikiliit
Composiciones Acuáticas 5/ Aquatic Compositions 5
Sandra Monterroso
Composiciones Acuáticas 5/ Aquatic Compositions 5, 2021
80 x 60.5cm
Jikiliit
Mujer ofrendando hilo No.2
Sandra Monterroso
Mujer ofrendando hilo No.2, 2021
156 x 26 x 16cm
Deshilada resiliencia
Sandra Monterroso
Deshilada resiliencia, 2017
90 x 45 x 45cm
Composición Azul No. 2
Sandra Monterroso
Composición Azul No. 2, 2019
78 x 65cm
Recetas de Pájaro azul
Sandra Monterroso
Recetas de Pájaro azul, 2023
168 x 50 x 20cm
Abuela ofrendando coral
Sandra Monterroso
Abuela ofrendando coral, 2023
171 x 38 x 31cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

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