Details
MaterialGallery
video sd 4:3, 10:29 minCrèvecoeur
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition with the word "DOCENT" prominently displayed in a bold, sans-serif typeface against a neutral white background. The visual style is clean, simple, and monochromatic, emphasizing the focus on the textual element. The stark, text-based approach suggests a conceptual or typographic exploration, highlighting the significance of language and the role of the docent, or art guide, in the context of contemporary art. The overall aesthetic creates a sense of clarity and directness, inviting the viewer to contemplate the meaning and function of the word within an art-related setting. ...

Similar Artworks
Tambour '57
Latifa Echakhch
Tambour '57, 2012
173 x 173 x 5cm
Untitled #6, série Ma demeure
Dalila Dalléas Bouzar
Untitled #6, série Ma demeure, 2019
60 x 50cm
Still in Your Wake 1-8
Hajra Waheed
Still in Your Wake 1-8, 2021
22.86 x 15.24 x 17.78cm ⌀12.7cm
Autoportrait #3
Dalila Dalléas Bouzar
Autoportrait #3, 2018
50 x 40cm
Stand up straight and high, close the eyes and everything started to spin around. The wind is blowing again
Latifa Echakhch
Stand up straight and high, close the eyes and everything started to spin around. The wind is blowing again, 2019
200 x 150cm
Letters 1-8
Hajra Waheed
Letters 1-8, 2019
37 x 47cm
Untitled
Dove / Seagull
Frances Stark
Dove / Seagull, 2023
61 x 45.7cm
Night Ascent 1-6
Hajra Waheed
Night Ascent 1-6, 2023
152.4 x 30.5cm
Push, 2006
Frances Stark
Push, 2006, 2023
157.5 x 198cm
And, per se, And
Shannon Ebner
And, per se, And, 2011
225 x 84 x 62cm
Untitled #8, série Ma demeure
Dalila Dalléas Bouzar
Untitled #8, série Ma demeure, 2019
60 x 50cm
Mirror and Bear
Jordan Wolfson
Mirror and Bear, 2024
237 x 221 x 14.2cm
12th Street
Jessie Homer French
12th Street, 1998
63.5 x 94cm
AMERICAN JOURNAL OF ANTHROPOMORPHICS
Juliana Huxtable
AMERICAN JOURNAL OF ANTHROPOMORPHICS, 2024
152 x 114.6 x 4cm
Late Summer Moss-Paws Hugging Soul Sheet – Mesmerizing Mesh #207
Haegue Yang
Late Summer Moss-Paws Hugging Soul Sheet – Mesmerizing Mesh #207, 2023
92 x 62 x 3.5cm
Dove / Crow
Frances Stark
Dove / Crow, 2023
61 x 45.7cm
Attachments #7
Nicole Wermers
Attachments #7, 2022
41.3 x 31.1 x 3.8cm
Untitled
Laura Owens
Untitled, 2016
274.5 x 213.5 x 7cm
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again
Latifa Echakhch
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019
200 x 150 x 2.5cm
Sand Saga
Artist
Shana Moulton
B.1976, American

Shana Moulton works in video, installation, opera and performance. Her practice follows Cynthia's bizarre journeys and experiences, the artist’s agoraphobic and hypochondriac alter-ego, who navigates the contemporary world’s societal and existential anxieties. Named after a senior mobile home park run by her parents in Yosemite, USA, Cynthia searches for meaning amidst New Age therapies, wellness products, spiritualism, self-diagnosis. Mouton’s work is at once humorous, filled with neon-colours, bubblegum, emojis and bubble baths, and tragic. The neurotic desire for spiritual enlightenment that runs through her works is contrasted with meme culture and soap operas. Her installations feature crystals, statuettes and vases, in the background of which run projections depicting Cynthia performing her self-help rituals. Bright, multifaceted and absurd, Moulton’s practice is a saga of self-reflection, the healing of the body and the anxiety of the mind. ...

Shana Moulton: Artworks
Untitled
Shana Moulton
Untitled , 2021
220 x 100 x 100cm
Reaching Through the Cosmic Sphere
Shana Moulton
Reaching Through the Cosmic Sphere, 2019
258 x 156 x 90cm
Untitled
Shana Moulton
Untitled, 2017
28 x 38cm
Untitled
Shana Moulton
Untitled, 2017
28 x 38cm
Untitled for Now Then
Shana Moulton
Untitled for Now Then, 2020
124.5 x 86.5 x 73.7cm
The Waterfall of Grief
Shana Moulton
The Waterfall of Grief, 2019
Whispering Pines 10
Shana Moulton
Whispering Pines 10, 2019
Crèvecoeur
Gallery
Crèvecoeur
Paris, Paris

Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...

Unlock Price & Inquiry Access