Untitled

Shana Moulton

Untitled , 2021220 x 100 x 100cm12000 EUR
Details
MaterialGalleryLocation
inflatable doll, fabric, zinc, fishing wireCrèvecoeurParis
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a vibrant color palette, with a predominance of purple and green hues. The composition is visually striking, with the main elements suspended in the air, creating a sense of weightlessness and playfulness. Subject Matter: The artwork appears to depict a mask and a glove, both of which are common symbols of protection and performance. The mask is green, while the glove is adorned with various symbols and text. Artistic Style and Technique: The artwork seems to employ a mixed-media approach, incorporating both physical and digital elements. The suspended components and the overall surreal nature of the piece suggest a contemporary, conceptual style. Context: This artwork likely explores themes of identity, performance, and the relationship between the individual and society. The artist's intention may be to challenge conventional notions of protection and performance, encouraging the viewer to consider the broader implications of these symbols in contemporary culture. ...

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Sand Saga
Artist
Shana Moulton
1976 , American

Shana Moulton works in video, installation, opera and performance. Her practice follows Cynthia's bizarre journeys and experiences, the artist’s agoraphobic and hypochondriac alter-ego, who navigates the contemporary world’s societal and existential anxieties. Named after a senior mobile home park run by her parents in Yosemite, USA, Cynthia searches for meaning amidst New Age therapies, wellness products, spiritualism, self-diagnosis. Mouton’s work is at once humorous, filled with neon-colours, bubblegum, emojis and bubble baths, and tragic. The neurotic desire for spiritual enlightenment that runs through her works is contrasted with meme culture and soap operas. Her installations feature crystals, statuettes and vases, in the background of which run projections depicting Cynthia performing her self-help rituals. Bright, multifaceted and absurd, Moulton’s practice is a saga of self-reflection, the healing of the body and the anxiety of the mind. ...

Shana Moulton: Artworks
Untitled
Shana MoultonUntitled , 202112000 EUR
Reaching Through the Cosmic Sphere
Shana MoultonReaching Through the Cosmic Sphere, 2019Price on Request
Untitled
Shana MoultonUntitled, 2017Price on Request
Untitled
Shana MoultonUntitled, 2017Price on Request
Untitled for Now Then
Shana MoultonUntitled for Now Then, 2020Price on Request
The Waterfall of Grief
Shana MoultonThe Waterfall of Grief, 2019Price on Request
Whispering Pines 10
Shana MoultonWhispering Pines 10, 201940000 USD
Sand Saga
Shana MoultonSand Saga, 200815000 EUR
Crèvecoeur
Gallery
Crèvecoeur
Paris, Paris

Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...