Kibitzer (Titled Version)
Kibitzer (Titled Version)

Phillip Allen

Kibitzer (Titled Version), 202132 x 27cmSign in to view price
Details
MaterialGallery
oil on boardThe approach
Description
Human-crafted. AI-refined.

The artwork features a vibrant and textured surface composed of various colors and organic shapes. The composition appears to be a collage or mixed media piece, with a blend of natural and synthetic materials creating a dynamic and visually striking effect. The colors, ranging from vivid greens and blues to earthy tones, evoke a sense of growth and natural abundance. The overall impression is one of spontaneity and energy, reflecting the artist's playful and experimental approach to the medium. The work's title and the artist's intention likely explore themes of nature, sustainability, and the interplay between the natural and man-made worlds. ...

Similar Artworks
02/08/
White Bum at Table 08
Olivia Sterling
White Bum at Table 08, 2021
91.4 x 121.9cm
Split
Sara Barker
Split, 2020
20 x 20 x 5cm
Glider
Sam Windett
Glider, 2024
182 x 172cm
Fake Tan
Olivia Sterling
Fake Tan, 2021
91.4 x 121.9cm
No. 1141 Zigzag
Rana Begum
No. 1141 Zigzag, 2022
248.5 x 82.5 x 35cm
Plant is nature Pattern is human
Sara Barker
Plant is nature Pattern is human, 2016
112 x 91 x 30cm
Laughing for crying
Michael Dean
Laughing for crying, 2019
Unfucking Titled (fuck)
Michael Dean
Unfucking Titled (fuck), 2021
175 x 67 x 55cm
WP320
20/08/
Sam Windett
20/08/, 2020
29.6 x 28cm
Ode (Shines Like a Coin)
Olivia Sterling
Ode (Shines Like a Coin), 2021
91.4 x 121.9cm
irradiations across hemispheres
Sara Barker
irradiations across hemispheres, 2016
240 x 185 x 110cm
No. 1360 Relief Panel
Rana Begum
No. 1360 Relief Panel, 2024
223 x 223cm
Coconut, Onyx, Dark Chocolate and Straight-up Black
Olivia Sterling
Coconut, Onyx, Dark Chocolate and Straight-up Black, 2021
121.9 x 91.4cm
Untitled (May June June)
Sam Windett
Untitled (May June June), 2018
109 x 185cm
Lounge Lover
Dee Ferris
Lounge Lover, 2013
170 x 230cm
Hold
Sara Barker
Hold, 2020
28 x 20 x 6cm
Mouth II (white on white)
Sam Windett
Mouth II (white on white), 2012
62 x 43cm
No. 1077
Rana Begum
No. 1077, 2021
108 x 95 x 5cm
Untitled
Daniel Sinsel
Untitled, 2024
90 x 79 x 3.5cm
Ensemble (on Steinway’s back)
Sara Barker
Ensemble (on Steinway’s back), 2020
170 x 142 x 26cm
Unfuckingtitled) music playing
Michael Dean
Unfuckingtitled) music playing, 2023
178 x 113 x 54cm
Coffee
More than hope
Peter Davies
More than hope, 2024
35.6 x 25.4cm
Abyss
Dee Ferris
Abyss, 2017
152 x 102cm
Phillip Allen
Artist
Phillip Allen
B.1967, British

Phillip Allen's paintings are the product of his continuous sketching practice. He sketches on a small scale using A5 paper and felt pens. These drawings serve as the foundation for the development of his abstract forms and arrangements, which he then translates into unique oil paintings on board. To create a sense of depth, Allen frequently applies thick globs of paint to the edges of the canvas, resulting in a three-dimensional frame for the imagery within. Phillip Allen's dedication to exploring the possibilities of painting is evident through his tireless experimentation, in which he avoids a single method or style in favor of constantly pushing the boundaries of his medium. This chameleonic approach has led him to transition from geometric semi-figurative landscapes to soft, disintegrated abstraction, and highly sculptural and textured impasto paintings. Throughout his diverse output, Allen's colourist ingenuity, radical reconsideration of pictorial space and depth, and emphasis on the materiality of paint, its plasticity, texture, and sculptural properties, have remained consistent. His work often features fluid, spiraling, or coalescing forms, with hallucinatory, and playful qualities, and titles that reveal a curious and irreverent sense of humor. ...

Phillip Allen: Artworks
Deepdrippings (More Virus Than Host Version)
Phillip Allen
Deepdrippings (More Virus Than Host Version), 2019
30 x 26cm
Deepdrippings (Hiss Mystique Version)
Phillip Allen
Deepdrippings (Hiss Mystique Version), 2019
30 x 26cm
Deepdrippings (Lovejovian Version)
Phillip Allen
Deepdrippings (Lovejovian Version), 2017
26 x 30cm
Deepdrippings (International Version)
Phillip Allen
Deepdrippings (International Version), 2017
183 x 183cm
Deepdrippings (we can't make coffee like the continentals version)
Phillip Allen
Deepdrippings (we can't make coffee like the continentals version), 2016
152 x 122cm
Deepdrippings (ghetto anglaise version)
Phillip Allen
Deepdrippings (ghetto anglaise version), 2016
152 x 122cm
Deepdrippings (Curry Nighthawk version)
Phillip Allen
Deepdrippings (Curry Nighthawk version), 2016
153 x 122cm
Tonic for Choice (An Evening with... Version)
Phillip Allen
Tonic for Choice (An Evening with... Version), 2014
91.5 x 91.5cm
Tonic for Choice (International Version)
Phillip Allen
Tonic for Choice (International Version), 2014
183 x 183cm
Stone Wall (Dog Whistler Version)
Phillip Allen
Stone Wall (Dog Whistler Version), 2007
51 x 61cm
Internationally Clumsy (No.1)
Phillip Allen
Internationally Clumsy (No.1), 2007
51 x 61cm
Planning for purpose (English version)
Phillip Allen
Planning for purpose (English version), 2006
40 x 45cm
Dynamic Mobility (academy version)
Phillip Allen
Dynamic Mobility (academy version), 2004
122 x 153cm
Densequalia
Phillip Allen
Densequalia, 2005
51 x 61cm
Coarse Grain - (International Everywhere Version)
Phillip Allen
Coarse Grain - (International Everywhere Version), 2022
180 x 150cm
Coarse Grain - (Tragedy of the Horizon Version)
Phillip Allen
Coarse Grain - (Tragedy of the Horizon Version), 2022
180 x 150cm
Coarse Grain - (International Nowhere Version)
Phillip Allen
Coarse Grain - (International Nowhere Version), 2022
180 x 150cm
Coarse Grain - (Absolutely Somewhere Version)
Phillip Allen
Coarse Grain - (Absolutely Somewhere Version), 2022
180 x 150cm
Coarse Grain - Endless Waiting (Everyone is Always Leaving Version)
Phillip Allen
Coarse Grain - Endless Waiting (Everyone is Always Leaving Version), 2022
180 x 150cm
Are We There Yet? (Tragedy of Horizon Version)
Phillip Allen
Are We There Yet? (Tragedy of Horizon Version), 2022
50 x 41cm
Polyplumes
Phillip Allen
Polyplumes, 2021
82 x 70cm
Harmony Naive
Phillip Allen
Harmony Naive, 2021
82 x 70cm
Kibitzer (Bush League Version)
Phillip Allen
Kibitzer (Bush League Version), 2021
106 x 82cm
Are We There Yet? (Triple Milled Version)
Phillip Allen
Are We There Yet? (Triple Milled Version), 2021
66 x 58cm
Biting the Granite
Phillip Allen
Biting the Granite, 2021
52 x 48cm
Kibitzer (Titled Version)
Phillip Allen
Kibitzer (Titled Version), 2021
32 x 27cm
Endless Waiting (Search problem Version)
Phillip Allen
Endless Waiting (Search problem Version), 2021
32 x 27cm
Deepdrippings (Hiss Mystique International Hot Tub Version)
Phillip Allen
Deepdrippings (Hiss Mystique International Hot Tub Version), 2018
36 x 40cm
Deepdrippings (Flied and Focsu Steam Room Version)
Phillip Allen
Deepdrippings (Flied and Focsu Steam Room Version), 2019
40 x 36cm
Deepdrippings (Hiss Mystique Sanguine Version)
Phillip Allen
Deepdrippings (Hiss Mystique Sanguine Version), 2018
30 x 26cm
Mr Please Please (I never predict anything and I never will version)
Phillip Allen
Mr Please Please (I never predict anything and I never will version), 2017
40 x 36cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access