Knot in my Stomach

Shaan Bevan & Owen Pratt

Knot in my Stomach, 2024135 x 106cmSign in to view price
Details
MaterialGallery
beauveria bassiana fungal culture, chemically patinated hammered brass sheet, electroacoustic transducer, amplifier, single channel audio, artist framePalmer Gallery
Description
Human-crafted. AI-refined.

This abstract artwork showcases a striking composition of rich, earthy tones and textures. The dominant colors are warm hues of rust and ochre, with a prominent green splotch that appears to be the focal point. The overall effect is a striking, almost geological-like surface, achieved through the artist's skillful use of layering and mixed media techniques. The artwork's contextual significance may lie in its exploration of themes related to nature, decay, or the passage of time, though the precise intention remains open to interpretation. ...

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Shaan Bevan & Owen Pratt: Artworks
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Knot in my Stomach
Shaan Bevan & Owen Pratt
Knot in my Stomach, 2024
135 x 106cm
Palmer Gallery
Gallery
Palmer Gallery
London

Founded by Lucas Giles and Will Hainsworth in 2024, Palmer Gallery is a space dedicated to identifying and developing the strongest emerging artistic talent of today. The gallery is situated in London’s Lisson Grove, in a 1000 ft2 former-factory built in the 1920’s by the Palmer Tyre Company, who produced parts for the Spitfire, Hurricane and Lancaster Bombers during The Second World War. The gallery programme focuses on cross-disciplinary artists working across painting, sculpture, video, performance, light and sound installation, creating an immersive exhibition space. This multi-sensory approach embraces a holistic view of contemporary art while championing an institutional dedication to framing and contextualising complex artistic practices. Palmer Gallery’s core mission is to allow artists to express themselves and thrive in an open, supportive and experimental environment; fostering a culture of creative freedom and connection among the gallery’s artists and the wider community. ...

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