This abstract artwork features a dynamic, monochromatic composition using tones of black and white. The overall impression is one of chaotic, swirling motion, with amorphous shapes and textures that evoke a sense of natural forces, such as wind or water. The artist employs a bold, gestural approach, using techniques like dripping and splattering to create a sense of spontaneity and energy. This piece likely reflects the artist's exploration of the interplay between control and chance, capturing the unpredictable and ephemeral nature of the natural world. ...
Ana Viktoria Dzinic is a London-based artist who investigates methods of image construction and their relationship with processes of subjectivity production. Combining photographic paintings, multi-media installations and performances, Dzinic’s work explores the way in which the modes of production and circulation of images affect the apprehension and comprehension of self. Through various strategies of display that include script-based installations mimicking the spectacle of image making, text-based protocols, or series of paintings on fabric using techniques such as industrial printing, dyeing, layering and trompe l’œil, the artist questions the validity of inherited dialectics between process hiding and process revealing, original and copy, indexical and represented, branded and authentic. Dzinic’s practice unfolds through distinct series of works, establishing each time a new aesthetic trait that reveals a different type of image economy. ...
