An Endless Summer (1)

Théo Mercier

An Endless Summer (1), 2023100 x 50 x 50cmPrice on Request
Details
MaterialGalleryLocation
chaise en bronze, pierremor charpentierParis
Description
Human-crafted. AI-refined.

This abstract sculpture features an intriguing composition of angular, geometric forms sculpted in a bronze-like material. The predominant shapes are sharp, pointed structures that intersect and create a sense of tension and dynamism. The overall color palette is muted, with shades of brown and gray that give the piece a weathered, industrial appearance. The artwork appears to be a modernist interpretation of a chair or throne-like form, evoking a sense of power and authority through its bold, angular design. The artist's intention may have been to challenge traditional notions of furniture and explore the sculptural and conceptual possibilities of functional forms. ...

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Théo Mercier
Artist
Théo Mercier
B.1984, French

Sculptor and stage director, Théo Mercier works on the relation between the work and its environment. In his installations, he mixes his own sculptures with objects or artifacts he collected over his travels, and seeks to create a real choreography of the eye for the viewer. The diversity of the collections thus gathered is an image of what globalization is ; their arrangement evokes a certain archeology of the future where strangeness, poetry and humor emerge from unusual reconciliations.

Théo Mercier: Artworks
Whispering Stone (Agate binocle)
Théo MercierWhispering Stone (Agate binocle), 2020Price on Request
Whispering Stone (Agate litée)
Théo MercierWhispering Stone (Agate litée), 2019Price on Request
Whispering Stone (Malachite)
Théo MercierWhispering Stone (Malachite), 2020Price on Request
Déjeuner sous l'herbe (Deux bouteilles)
Théo MercierDéjeuner sous l'herbe (Deux bouteilles), 2020Price on Request
Déjeuner sous l'herbe (Total)
Théo MercierDéjeuner sous l'herbe (Total), 2020Price on Request
An Endless Summer (9)
Théo MercierAn Endless Summer (9), 2023Price on Request
Facetime (l'Empereur Caligula, de face)
Théo MercierFacetime (l'Empereur Caligula, de face), 2023Price on Request
Facetime (Faustine la Jeune)
Théo MercierFacetime (Faustine la Jeune), 2023Price on Request
An Endless Summer (6)
Théo MercierAn Endless Summer (6), 2023Price on Request
Catch of the Night (1)
Théo MercierCatch of the Night (1), 2023Price on Request
An Endless Summer (1)
Théo MercierAn Endless Summer (1), 2023Price on Request
Venus In-tension II
Théo MercierVenus In-tension II, 2024Price on Request
Archaïc Delirium
Théo MercierArchaïc Delirium, 2024Price on Request
Venus In-Tension III
Théo MercierVenus In-Tension III, 2024Price on Request
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...