Déjeuner sous l'herbe (Total)

Théo Mercier

Déjeuner sous l'herbe (Total), 2020107 x 29.7 x 29.7cmSign in to view price
Details
MaterialGallery
white onyx, serpentine, agate, concrete, steelmor charpentier
Description
Human-crafted. AI-refined.

This contemporary art piece features a striking juxtaposition of materials and textures. The central element is a translucent, checkered plastic bag filled with an unknown substance, resting on a rectangular concrete plinth. The bag's irregular shape and slightly crumpled appearance create a sense of depth and dimension, while the dark agate-like slab beneath adds a natural, earthy counterpoint. The artist's use of mundane, everyday objects combined with minimalist, industrial elements suggests a commentary on consumerism, materiality, and the intersection of the natural and artificial worlds. ...

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Théo Mercier
Artist
Théo Mercier
B.1984, French

Sculptor and stage director, Théo Mercier works on the relation between the work and its environment. In his installations, he mixes his own sculptures with objects or artifacts he collected over his travels, and seeks to create a real choreography of the eye for the viewer. The diversity of the collections thus gathered is an image of what globalization is ; their arrangement evokes a certain archeology of the future where strangeness, poetry and humor emerge from unusual reconciliations. ...

Théo Mercier: Artworks
Déjeuner sous l'herbe (Total)
Venus In-Tension III
An Endless Summer (9)
An Endless Summer (6)
Catch of the Night (1)
An Endless Summer (1)
Venus In-tension II
Archaïc Delirium
Headless Power
Deaf Stone
Théo MercierDeaf Stone, 2025
32 x 28 x 92cm
Phantom Limb
Théo MercierPhantom Limb, 2025
30 x 30 x 130cm
Deep Cuts
Théo MercierDeep Cuts, 2025
28 x 28 x 36cm
Headcore Fossil
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...

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