Déjeuner sous l'herbe (Deux bouteilles)

Théo Mercier

Déjeuner sous l'herbe (Deux bouteilles), 202093.5 x 25.5 x 29.5cmSign in to view price
Details
MaterialGallery
white onyx, jade, serpentine, wood, concrete, steelmor charpentier
Description
Human-crafted. AI-refined.

The artwork features a minimalist, typographical composition in neutral gray tones. The prominent text "DOCENT" is the central focus, rendered in a bold, sans-serif font against a plain background. The overall aesthetic is clean, simple, and visually striking, drawing the viewer's attention to the text and its potentially symbolic or conceptual meaning. The artwork likely reflects the artist's interest in exploring the power of language, typography, and visual minimalism to convey ideas or elicit contemplation from the viewer. ...

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Théo Mercier
Artist
Théo Mercier
B.1984, French

Sculptor and stage director, Théo Mercier works on the relation between the work and its environment. In his installations, he mixes his own sculptures with objects or artifacts he collected over his travels, and seeks to create a real choreography of the eye for the viewer. The diversity of the collections thus gathered is an image of what globalization is ; their arrangement evokes a certain archeology of the future where strangeness, poetry and humor emerge from unusual reconciliations. ...

Théo Mercier: Artworks
Whispering Stone (Agate litée)
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Whispering Stone (Agate litée), 2019
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Whispering Stone (Malachite)
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Whispering Stone (Malachite), 2020
111 x 70cm
Déjeuner sous l'herbe (Deux bouteilles)
Théo Mercier
Déjeuner sous l'herbe (Deux bouteilles), 2020
93.5 x 25.5 x 29.5cm
Déjeuner sous l'herbe (Total)
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Déjeuner sous l'herbe (Total), 2020
107 x 29.7 x 29.7cm
Venus In-Tension III
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Venus In-Tension III, 2024
180 x 55 x 40cm
Whispering Stone (Agate binocle)
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Whispering Stone (Agate binocle), 2020
80 x 79cm
An Endless Summer (9)
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An Endless Summer (9), 2023
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Facetime (l'Empereur Caligula, de face)
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Facetime (l'Empereur Caligula, de face), 2023
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Facetime (Faustine la Jeune)
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Facetime (Faustine la Jeune), 2023
71 x 51cm
An Endless Summer (6)
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An Endless Summer (6), 2023
120 x 50 x 50cm
Catch of the Night (1)
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Catch of the Night (1), 2023
90 x 40 x 40cm
An Endless Summer (1)
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An Endless Summer (1), 2023
100 x 50 x 50cm
Venus In-tension II
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Venus In-tension II, 2024
155 x 80 x 80cm
Archaïc Delirium
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Archaïc Delirium, 2024
140 x 50 x 40cm
Headless Power
Théo Mercier
Headless Power, 2025
45 x 30 x 70cm
Deaf Stone
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Deaf Stone, 2025
32 x 28 x 92cm
Phantom Limb
Théo Mercier
Phantom Limb, 2025
30 x 30 x 130cm
Deep Cuts
Théo Mercier
Deep Cuts, 2025
28 x 28 x 36cm
Headcore Fossil
Théo Mercier
Headcore Fossil, 2025
50 x 30 x 30cm
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...

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