This artwork features a bold, black silhouette figure set against a muted, patterned background. The striking contrast between the dark shape and the lighter, textured surface creates a captivating visual effect. The figure appears to be a whimsical, fantastical character, with distinct details like horns or antlers protruding from its head. The artist's use of negative space and minimalist approach evokes a sense of mystery and symbolic resonance, inviting the viewer to interpret the piece's meaning. The artwork's stylized aesthetic and the artist's intention to convey a narrative or conceptual idea suggest a contemporary, abstract approach to figurative representation. ...
Ulla von Brandenburg is a German artist born in 1974 in Karlsruhe and based in Paris since 2005. After training as a scenographer in Karlsruhe and a brief period spent in the world of the theatre, she studied at the Hochschule für Bildende Künste in Hamburg.
Her work is characterised by a diversity of means and media (installations, films, watercolours, murals, collages, performances…) that answer to one another and which she stages according to different exhibition spaces. Perfectly mastering the codes of scenography, nourished by literature, the history of the arts and architecture but also psychoanalysis, spiritism and magic, she derives as much from esoteric rituals and popular ceremonies, as from the mechanisms and codes of the theatre, to explore the construction of our social structures. Masks, costumes, sets and props coming from different popular traditions thus allow her to transgress symbolically norms and hierarchies by subtly mingling reality and appearances in theatrical presentations. ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
