Danger! High Voltage

Xper.Xr

Danger! High Voltage, 202145.7 x 66 x 2cmSign in to view price
Details
Material
Oil paint, Kryolan synthetic nasal mucus, pus and ketchup on pig skin
Description
Human-crafted. AI-refined.

The artwork features an oval-shaped wooden panel with a textured, weathered surface. The central focus is a portrait-like figure rendered in dark, earthy tones, creating a sense of depth and dimensionality. The painting technique appears to be a mix of layered brushstrokes and scraping, adding a sense of depth and emotion to the piece. This work seems to explore the human form and the passage of time, with the weathered wood panel reflecting the artist's intention to capture the fragility and resilience of the human condition. ...

Similar Artworks
Joy in Paperwork #317-319
Amalia Pica
Joy in Paperwork #317-319, 2016
30 x 21cm
The Big Little Falls
Alex Da Corte
The Big Little Falls, 2021
182.9 x 182.9 x 16.5cm
Variación sobre hoja de Anturio #12 (Anthurium Angustilobum)
Naufus Ramírez-Figueroa
Variación sobre hoja de Anturio #12 (Anthurium Angustilobum), 2024
150 x 100 x 3cm
Water, Color & Paper #1 水彩紙 #1
Chou Yu-Cheng 周育正
Water, Color & Paper #1 水彩紙 #1, 2022
200 x 240cm
Joy in Paperwork 377
Amalia Pica
Joy in Paperwork 377, 2015
29.7 x 21cm
Minerals
Year of The Hurricane
Alex Da Corte
Year of The Hurricane, 2020
292.1 x 322.6 x 15.2cm
The Great Pretender
Alex Da Corte
The Great Pretender, 2021
186.1 x 186.1 x 7.6cm
Origami #10
Schopenhauer/Nietzsche
Abel Auer
Schopenhauer/Nietzsche, 2016
160 x 130cm
Joy in Paperwork, on the Wall #1
Amalia Pica
Joy in Paperwork, on the Wall #1, 2024
120 x 100cm
Unfucking Titled (fuck)
Michael Dean
Unfucking Titled (fuck), 2021
175 x 67 x 55cm
Variación sobre hoja de Anturio #13 (Anthurium Leuconeurum)
Naufus Ramírez-Figueroa
Variación sobre hoja de Anturio #13 (Anthurium Leuconeurum), 2024
59.5 x 45 x 3cm
Catachresis #83 (Arm of the chair, necks of the botles)
Amalia Pica
Catachresis #83 (Arm of the chair, necks of the botles), 2016
54 x 51 x 8.5cm
Variación sobre hoja de Anturio #16 (Anthurium Papillilaminum)
Naufus Ramírez-Figueroa
Variación sobre hoja de Anturio #16 (Anthurium Papillilaminum), 2024
59.5 x 45 x 3cm
Unfuckingtitled (music playing)
Michael Dean
Unfuckingtitled (music playing), 2023
89 x 65 x 8cm
Bibliotheque #3
Chou Yu-Cheng 周育正
Bibliotheque #3, 2022
212 x 160cm
Unfuckingtitled) music playing
Michael Dean
Unfuckingtitled) music playing, 2023
178 x 113 x 54cm
Babylonian Fantasy
Joy in Paperwork 340
Amalia Pica
Joy in Paperwork 340, 2015
29.7 x 21cm
Cavatica’s Moon Song
Alex Da Corte
Cavatica’s Moon Song, 2020
182.9 x 182.9 x 11.4cm
Still life #11
Juliette Blightman
Still life #11, 2016
290 x 290cm
Origami #2
Unclear terms of engagement (a line, a gesture, an alphabet or number)
Samson Young 楊嘉輝
Unclear terms of engagement (a line, a gesture, an alphabet or number), 2021
100 x 72cm
Belongs to…
Douglas Gordon
Belongs to…, 2020
75.3 x 70.8 x 5cm
Xper.Xr
Artist
Xper.Xr
B.1970

Xper.Xr (born 1970) is a Hong Kong-based artist, performer, and provocateur belonging to the city’s first generation of experimental musicians. After releasing Murmur (1989), arguably the first industrial noise recording in the territory, he went on to release and perform alongside such names as Otomo Yoshihide, Merzbow, and Whitehouse. Characterized by a constitutional irreverence, deliberate courting of failure, and self-effacing aesthetic, Xper.Xr.’s practice represents a crucial moment of the city’s artistic counter-history. ...

Xper.Xr: Artworks
Danger! High Voltage
Xper.Xr
Danger! High Voltage, 2021
45.7 x 66 x 2cm
Rockstar
Xper.Xr
Rockstar, 2022
55.9 x 81.3 x 2cm
Hip to Be Square
Xper.Xr
Hip to Be Square, 2021
45.7 x 66 x 2cm
Controlled Demolition
Xper.Xr
Controlled Demolition, 2021
35.6 x 50.8 x 2cm
Black Magic Woman
Xper.Xr
Black Magic Woman, 2021
45.7 x 66 x 2cm
Unlock Price & Inquiry Access