This abstract artwork features an intricate arrangement of delicate, intertwining floral motifs. The composition is dominated by a myriad of intricate, web-like patterns in shades of gray, punctuated by subtle touches of red. The overall effect evokes a sense of organic growth and movement, with the shapes and lines flowing seamlessly across the canvas. The artist appears to have employed a meticulous, drawing-based technique, meticulously rendering the intricate details and patterns. This work likely explores themes of interconnectedness, growth, and the natural world, reflecting the artist's unique perspective and exploration of the intersection between the organic and the abstract. ...
Amalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...
Proyectos Ultravioleta was founded in Guatemala City in 2009 as an independent artist-run space, and has since established itself as a leading voice in contemporary art in Latin America and beyond.
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