This artwork is a collage of various document fragments and stamps, creating a visually striking and conceptual piece. The dominant elements are the repeated red circular shapes, which seem to mimic the form of stamps or seals. The overall composition has a chaotic and disorienting quality, with the overlapping documents and text fragments creating a sense of fragmentation and bureaucratic complexity. The piece appears to address themes of bureaucracy, documentation, and the challenge of navigating complex systems, reflecting the artist's intention to comment on the bureaucratic experience. The style and technique employed in this work are distinctive, blending found objects and textual elements to create a thought-provoking and visually compelling contemporary art piece. ...
Amalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...
Proyectos Ultravioleta was founded in Guatemala City in 2009 as an independent artist-run space, and has since established itself as a leading voice in contemporary art in Latin America and beyond.
