The artwork features an abstract, monochromatic composition of dark splatters and speckles against a pale background. The scattered, almost chaotic distribution of the marks creates a sense of motion and energy, with the varying densities and overlapping patterns adding depth and texture to the surface. The overall style suggests a gestural, spontaneous approach, likely executed through techniques such as dripping or flicking paint. The artwork's minimalist, expressive nature reflects the artist's emphasis on the physical act of painting itself, rather than any specific representational subject matter. This abstract work invites the viewer to contemplate the emotive qualities of the medium and the creative process. ...
A close and tangible social network is the starting point of Yéanzi's art. In his work, gazes, attitudes and bodies are constantly in motion. The artist uses accounts and records of people’s stories on a canvas covered with press cuttings, snippets of news, which he paints and mixes in successive layers, passages and tumults. In a painting made without a brush, but with fire, and as it passes through the flames, the plastic becomes colourful and transforms itself, leaving small deposits of its material on the support. As if trying to unravel the mystery of what it is that gives us the power to constantly redefine ourselves, combustion acts as a balance between mind and body, weighing what is lost, what resists and what melts. ...
