This abstract painting features a mottled, textured surface with a blend of earthy tones – deep browns, rusty reds, and flecks of blue and green. The overall composition has a sense of organic decay and erosion, with the layers of paint suggesting the passage of time. The artist likely employed techniques like scraping, sponging, and dripping to create the raw, weathered effect. This work evokes a sense of the natural world's impermanence and the ephemeral nature of physical forms, inviting the viewer to contemplate themes of transformation and the cycles of life. ...
A close and tangible social network is the starting point of Yéanzi's art. In his work, gazes, attitudes and bodies are constantly in motion. The artist uses accounts and records of people’s stories on a canvas covered with press cuttings, snippets of news, which he paints and mixes in successive layers, passages and tumults. In a painting made without a brush, but with fire, and as it passes through the flames, the plastic becomes colourful and transforms itself, leaving small deposits of its material on the support. As if trying to unravel the mystery of what it is that gives us the power to constantly redefine ourselves, combustion acts as a balance between mind and body, weighing what is lost, what resists and what melts. ...
