The artwork features an abstract composition of dark, organic shapes and splatters against a pale background. The irregular, amorphous forms suggest an almost biological or cellular quality, with clusters of smaller blotches and specks scattered throughout the composition. The overall visual effect is one of spontaneity and fluidity, conveying a sense of natural processes or traces of movement. The artist seems to have employed techniques like dripping, splattering, and staining to create this abstract, expressive work, which likely draws inspiration from the natural world or the subconscious. ...
A close and tangible social network is the starting point of Yéanzi's art. In his work, gazes, attitudes and bodies are constantly in motion. The artist uses accounts and records of people’s stories on a canvas covered with press cuttings, snippets of news, which he paints and mixes in successive layers, passages and tumults. In a painting made without a brush, but with fire, and as it passes through the flames, the plastic becomes colourful and transforms itself, leaving small deposits of its material on the support. As if trying to unravel the mystery of what it is that gives us the power to constantly redefine ourselves, combustion acts as a balance between mind and body, weighing what is lost, what resists and what melts. ...
