This mixed-media artwork features a striking abstract figure composed of various shades of blue and green hues. The figure appears to be formed from an intricate network of organic shapes and textures, evoking a sense of fluidity and movement. The overall composition is dynamic, with the figure seemingly emerging from or dissolving into the collaged background of newspaper clippings and other ephemeral elements. The artist's use of diverse materials and techniques, such as layering and gestural brushstrokes, creates a visually captivating and conceptually intriguing piece that invites the viewer to explore the relationship between the human form and the fragmented, ever-changing nature of modern life. ...
A close and tangible social network is the starting point of Yéanzi's art. In his work, gazes, attitudes and bodies are constantly in motion. The artist uses accounts and records of people’s stories on a canvas covered with press cuttings, snippets of news, which he paints and mixes in successive layers, passages and tumults. In a painting made without a brush, but with fire, and as it passes through the flames, the plastic becomes colourful and transforms itself, leaving small deposits of its material on the support. As if trying to unravel the mystery of what it is that gives us the power to constantly redefine ourselves, combustion acts as a balance between mind and body, weighing what is lost, what resists and what melts. ...
