This abstract artwork features a striking contrast of earthy yellow hues and dark, expressive brushstrokes. The central figure, a gestural and almost amorphous shape, appears to be a human-like form emerging from a chaotic, splatter-like backdrop. The overall composition conveys a sense of movement and energy, achieved through the dynamic interplay of organic shapes and gestural painting techniques. The artist's intention seems to be exploring the human form and its relationship to the surrounding environment in an abstract, almost primal manner, reflecting the expressionistic style characteristic of mid-20th century art. ...
A close and tangible social network is the starting point of Yéanzi's art. In his work, gazes, attitudes and bodies are constantly in motion. The artist uses accounts and records of people’s stories on a canvas covered with press cuttings, snippets of news, which he paints and mixes in successive layers, passages and tumults. In a painting made without a brush, but with fire, and as it passes through the flames, the plastic becomes colourful and transforms itself, leaving small deposits of its material on the support. As if trying to unravel the mystery of what it is that gives us the power to constantly redefine ourselves, combustion acts as a balance between mind and body, weighing what is lost, what resists and what melts. ...
