This contemporary artwork features a striking juxtaposition of organic and industrial elements. The composition is minimalist, with a simple white fabric form perched atop a wooden pedestal. The fabric is adorned with a metallic, star-shaped mechanism, creating a captivating visual contrast. The overall style is conceptual, drawing attention to the interplay between the soft, delicate textile and the rigid, mechanical component. The artist's intention may be to explore themes of duality, the relationship between natural and man-made, or the intersection of the mundane and the extraordinary. ...
Spirituality and animism take centre stage in the works of Anousha Payne. Her practice intriguingly fuses moral dilemmas, magic, immateriality, and metamorphic characters. Rooted in stories carrying a rich historical legacy passed down through generations, her work evolves through personal adaptations and embellishments. The narratives Payne explores, particularly in Tamil folklore, serve as the foundation for her exploration of human interaction, communication, and the evocative power of simple gestures and expressions.
Anousha Payne's artistic practice embraces both paintings and ceramics, interweaving these mediums to delve into the profound theme of the human pursuit of spirituality. Through her creative exploration, Payne questions the possibility of infusing spirituality into an object. She examines the material qualities of religious or spiritual artifacts, considering how these qualities shape our encounters and influence our experiences. Drawing inspiration from her dual Irish and Indian heritage, she weaves narratives and characters throughout her sculptures and paintings, forging her own iconography and lexicon.
Anousha Payne (b. 1991 in Southampton, UK.) graduated from Camberwell College of Arts with a BFA in 2014. Her work has been exhibited across Europe, the UK and USA. Recent solo and group exhibitions include Isabella Ducrot, Laila Tara H, Anousha Payne, Super Super Markt, Berlin (2023); Material Art fair, Deli Gallery, Mexico City (2023); Potheads, Swivel Gallery, New York (2023); Stronger than language, Romero Paprock (2022); Thick mud, slowly oozing, Stellarhighway, New York (2022, solo); I take what is mine, Arusha Gallery, New York (2022); It is better to be cats than be loved, Tabula Rasa, London (2022); A Midsummer Nights Dream, Alkinois, Athens (2022); Tangled toes twisted ears, Public Gallery, London (2022), among others. The artist lives and works in London. ...
Newchild was founded by Diego Castaño, Chandler Noah and Sarah Vanwelden in 2020 in Antwerp, Belgium. Newchild serves as a physical and digital platform for established and emerging artists whose practice is defined by conceptualism, narrative and an ambitious technical approach.
Newchild was created to cultivate cross-pollination and meaningful exchange, fostering a collaborative environment for artists to explore beyond their established modes of expression. It curates a regular programme of offbeat exhibitions, participates in art fairs globally and works in close collaboration with foundations and museums. ...
