Acyron
Details
MaterialGallery
framed archival pigment printMarcelle Alix
Description
Human-crafted. AI-refined.

The image depicts a shadowy, ethereal figure shrouded in darkness, its contours barely discernible. The predominant use of black and white tones creates a stark, dramatic contrast, evoking a sense of mystery and introspection. The figure appears to be holding something, perhaps a book or scroll, suggesting a contemplative or intellectual aspect. The overall composition is centered and symmetrical, lending a sense of balance and stability to the scene. The artistic style is reminiscent of chiaroscuro techniques, with the dramatic interplay of light and shadow lending a haunting, atmospheric quality to the work. This piece may explore themes of spirituality, knowledge, or the human condition, inviting the viewer to ponder the figure's significance and the artist's underlying message. ...

Similar Artworks
Adaptation
Jack O'Brien
Adaptation, 2022
86.5 x 22 x 88cm
Untitled (sunset and trees)
Joani Tremblay
Untitled (sunset and trees), 2022
153.04 x 125.73cm
Melnikov project grey (small)
Ian Kiaer
Melnikov project grey (small), 2012
122 x 76cm
YOU & I (II)
Tooth House, wall
Ian Kiaer
Tooth House, wall, 2014
3 x 50.5 x 28.5cm
Delirio II
Héctor Zamora
Delirio II, 2023
123.5 x 98.5 x 4cm
Untitled
Fred Sandback
Untitled, 1970
21.6 x 27.9cm
Untitled (waterfall)
Joani Tremblay
Untitled (waterfall), 2022
121.92 x 101.6cm
Navel VII
Jack O'Brien
Navel VII, 2023
53 x 45 x 4cm
Gisant II
Paul Maheke
Gisant II, 2024
39.8 x 129.7cm
Lattice Detour
Héctor Zamora
Lattice Detour, 2020
3048 x 335.28cm
Peur
Renaud Jerez
Peur, 2024
223 x 183 x 8cm
The silence on the floor of my house
Joani Tremblay
The silence on the floor of my house, 2023
121.92 x 101.6cm
Whiplash I
Jack O'Brien
Whiplash I, 2022
80 x 20 x 14cm
Ancestral Muse V
Paul Maheke
Ancestral Muse V, 2023
93 x 68 x 4.5cm
Untitled (Miroir Noir)
Renaud Jerez
Untitled (Miroir Noir), 2017
160 x 55 x 90cm
Sem Título, Travessura (III)
Héctor Zamora
Sem Título, Travessura (III), 2022
210 x 143cm
Pink cloth, ribbon
Ian Kiaer
Pink cloth, ribbon, 2021
113 x 150 x 1.6cm
Pink cloth, leaf small
Ian Kiaer
Pink cloth, leaf small, 2021
16.5 x 26cm
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
Navel VIII
Jack O'Brien
Navel VIII, 2023
53 x 45 x 4cm
The Purple Chamber Series (II)
Paul Maheke
The Purple Chamber Series (II), 2023
85 x 180cm
Smiley
Renaud Jerez
Smiley, 2023
200 x 80 x 60cm
Untitled (field and Fragonard trees)
Joani Tremblay
Untitled (field and Fragonard trees), 2022
153.04 x 125.73cm
Lagos still life II
Wolfgang Tillmans
Lagos still life II, 2022
30.5 x 40.6cm
Chimera
Héctor Zamora
Chimera, 2023
143 x 210 x 5cm
Repaired Broken Mirror
Kader Attia
Repaired Broken Mirror, 2025
57 x 38.5cm
Aurélien Froment
Artist
Aurélien Froment
B.1976, French

Aurélien Froment’s “documentary style” not only reveals existing forms, but it also determines other ways of dreaming them by seeking the right transformation, that enables the past to build a future. The artist aims at making an effort of imagination to connect himself to faraway things in order to put them on a common stage and determine their importance together. In this light, he has conceived the inventory of the elements constituting the Ideal Palace of postman Cheval, a work of architecture which is so intense that only a closer vision may contribute to shedding light on this “work of one man”, concerned about his own pace. What these figures (imaginary animals, plants, ornaments, etc) carved in rock and photographed separately depict, is a different life pulse, a rhythm that the world needs as a kind of support. Aurélien Froment mobilises and engages us through the awareness of singularities like the latter. These pieces translate performative thinking in relation to preexisting works: they seek to stress the path that starts with the gesture and leads towards the form, and vice versa. The exhibition will always be, for the artist, a way of not forgetting what might be called “the arising of the gesture” - the way in which the gesture enables us to truly make use of forms as much as it helps us become receptive. ...

Aurélien Froment: Artworks
21 incomplete Soleri Windbells
Aurélien Froment
21 incomplete Soleri Windbells, 2015
Cultural Form of the Eighth Gift
Aurélien Froment
Cultural Form of the Eighth Gift, 2013
64.1 x 52.3cm
Earthwork III
Aurélien Froment
Earthwork III, 2015
288 x 50 x 45cm
Form of Beauty of the Sixth Gift
Aurélien Froment
Form of Beauty of the Sixth Gift, 2013
52.3 x 64.1cm
Form of Nature of the First Gift
Aurélien Froment
Form of Nature of the First Gift, 2013
52.3 x 64.1cm
Form of Nature of the Second Gift
Aurélien Froment
Form of Nature of the Second Gift, 2013
64.1 x 52.3cm
Marginalia (03-08)
Aurélien Froment
Marginalia (03-08), 2021
32 x 25cm
Marginalia (04-10)
Aurélien Froment
Marginalia (04-10), 2021
25 x 32cm
Marginalia (08-04)
Aurélien Froment
Marginalia (08-04), 2021
32 x 25cm
Marginalia (09-02)
Aurélien Froment
Marginalia (09-02), 2021
32 x 25cm
Material Form of the Fifth Gift
Aurélien Froment
Material Form of the Fifth Gift, 2013
64.1 x 52.3cm
Tombeau Idéal de Ferdinand Cheval 11-07 (Pierre d'achoppement I)
Aurélien Froment
Tombeau Idéal de Ferdinand Cheval 11-07 (Pierre d'achoppement I), 2013
Tombeau Idéal de Ferdinand Cheval 26-11
Aurélien Froment
Tombeau Idéal de Ferdinand Cheval 26-11, 2013
Tombeau Idéal de Ferdinand Cheval 31-03
Aurélien Froment
Tombeau Idéal de Ferdinand Cheval 31-03, 2013
Creuser Wolfson
Tombeau Idéal de Ferdinand Cheval 06-06 (Dragon ailé)
Aurélien Froment
Tombeau Idéal de Ferdinand Cheval 06-06 (Dragon ailé), 2013
61 x 51 x 2cm
Bdelygmia
Tricolon
Acyron
Marcelle Alix
Gallery
Marcelle Alix
Paris

We founded Marcelle Alix in 2009 in Paris and settled in a characteristic, early 20th-century boutique in Belleville. The gallery is for us a creative space, where the dialog with artists is not only meant to selling artworks, but is also based on an equal relationship to creativity. We now represents thirteen artists and two duos. Our identity has been built with the support of the artists who opened our programme (Aurélien Froment, Louise Hervé & Clovis Maillet, Charlotte Moth, Ernesto Sartori, Marie Voignier) and those we introduced to the French art scene (Pauline Boudry/Renate Lorenz, Ian Kiaer, Donna Gottschalk). During these years, we have supported broad artistic careers (Laura Lamiel, Liz Magor and Mira Schor whose work we represent exclusively in Europe) and accompanied the development of new perspectives in sculpture (Gyan Panchal, Jean-Charles de Quillacq) in video (Lola Gonzàlez), and in drawing (Armineh Negahdari). Our gallery has been a pioneer in defining a space for queer art in France : in addition to showing her work within the artist duo Boudry/Lorenz since 2011, we have directed the translation into French of Renate Lorenz's 2012 seminal book, « Queer Art » in 2018. Since 2019, we have exhibited photographs by Donna Gottschalk documenting the lives of women living with women who were involved in the lesbian movement in the United States in the 1970s. In 2023 we organised an exhibition for the Utopi.e award—first award in France for Lgbtqi+ art—for which we have invited Paris galleries Air de Paris and Sultana as fellow participants. We insist on the central role of a gallery in the ecosystem of art as a place to make idiosyncratic positions visible and weave a critical narrative around the most contemporary visual forms. ...

Unlock Price & Inquiry Access