Untitled (La Griglia stationary) et la doublette

Cay Bahnmiller

Untitled (La Griglia stationary) et la doublette16.5 x 12.1cmSign in to view price
Details
Material
acrylic and marker on paper
Description
Human-crafted. AI-refined.

The image presents a minimalist composition featuring the word "DOCENT" in a plain, neutral-colored typeface against a stark white background. The simple yet striking design emphasizes the word itself, which likely refers to a museum or gallery docent, a person who provides educational tours and information to visitors. The artwork's minimalist style and focus on a single typographic element create a clean, conceptual aesthetic that invites the viewer to contemplate the meaning and significance of the word in the context of art and education. ...

Similar Artworks
Untitled
Ser Serpas
Untitled, 2022
45.5 x 37cm
Izintaba
Karl's Castle (2)
Liz Magor
Karl's Castle (2), 2003
51 x 40.5cm
trailing falling caustic walkway trembled into being
Ser Serpas
trailing falling caustic walkway trembled into being, 2021
85 x 123 x 34cm
Slip
Izintaba
Paradise Bird
Liz Magor
Paradise Bird, 2019
50 x 70 x 15cm
You are afraid of the echo
Aura Rosenberg
You are afraid of the echo, 2021
183 x 123 x 4cm
Izintaba
May/June
Liz Magor
May/June, 2022
218 x 24 x 24cm
Untitled
Ser Serpas
Untitled, 2023
215 x 140cm
Blue Jeans on Red Velvet
Aura Rosenberg
Blue Jeans on Red Velvet, 1980
178 x 104cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
The Love Doll/Day 32 (Blue Geisha Close-up)
Laurie Simmons
The Love Doll/Day 32 (Blue Geisha Close-up), 2011
76.2 x 101.6cm
Untitled
Being This (Pink Shoes)
Liz Magor
Being This (Pink Shoes), 2012
39.5 x 24 x 54cm
Untiteld
Ser Serpas
Untiteld, 2025
215.9 x 259.08cm
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
Champagne et Limousines
Sylvie Fleury
Champagne et Limousines, 2010
24 x 300cm
Izintaba
Spinning Top #2
Alice Aycock
Spinning Top #2, 2023
112.4 x 73.7cm
Untitled (Acassuso)
Artist
Cay Bahnmiller
B.1955

Cay Bahnmiller (b. 1955; d. 2007, Detroit, USA) was born in Wayne, Michigan. After spending part of her childhood in Argentina and Germany, Bahnmiller lived and worked in Detroit until her death. Bahnmiller’s art is marked by accumulation: of paint, found objects, texts, memories and even of time. Layered and sedimented, Bahn- miller collapsed temporality, allowing her work to reflect a profu- sion of experience – in all its facets – that can only be accumula- ted through life lived. She worked fluidly across mediums. Making no distinction between surfaces, she built compositions on street signs, books, pages torn from magazines and auction catalogs, found pieces of wood and toys. This openness was offset by her rigorous examination of her approach and subject matter.There is a clarity and intensity of vision that reveals how purposefully and ca- refully Bahnmiller crafted her dense work. She related occurrence through both abstract language and exacting detail. A contradictory thread runs through both Bahnmiller‘s life and her art. Her struggle to reconcile the conflicting sides of her personality was something she grappled with until her death. Works were of- ten made, unmade and made again, showing traces of each stage and the desire to revise and rework. Visceral, unstable and painful, their immediacy is tangible. “In my search for form, the final cons- truction and process often results from negation,” she wrote. True to her belief that “painting is inscription, rather than description,” she used the world of art and its vicissitude – taste, decor, culture, speculation, history – as the literal base of her work, building up layered, totemic, works on magazine pages, auction catalogues, re- staurant stationary, and books by her favorite authors. ...

Cay Bahnmiller: Artworks
Untitled (Acassuso)
Cay Bahnmiller
Untitled (Acassuso), 2022
20.32 x 25.4cm
Untitled
Trees Belle Isle
Cay Bahnmiller
Trees Belle Isle, 2003
25.4 x 17.7cm
Untitled (La Griglia stationary)
Cay Bahnmiller
Untitled (La Griglia stationary)
16.5 x 12.1cm
Untitled (La Griglia stationary) et la doublette
Cay Bahnmiller
Untitled (La Griglia stationary) et la doublette
16.5 x 12.1cm
Untitled (La Griglia stationary) et la doublette, eh non c'est un trouple enfait
Cay Bahnmiller
Untitled (La Griglia stationary) et la doublette, eh non c'est un trouple enfait
16.5 x 12.1cm
Unlock Price & Inquiry Access