The Second Person

James N. Kienitz Wilkins

The Second Person, 201830 x 35.5cmSign in to view price
Details
Material
digital photograph with post-processing manipulation
Description
Human-crafted. AI-refined.

This striking black-and-white photograph depicts the visor of an astronaut's helmet, which serves as a reflective surface that captures the surrounding environment. The circular composition and the curved lines of the helmet create a sense of depth and movement, drawing the viewer into the ethereal, otherworldly scene. The muted tones and the high-contrast lighting lend an air of mystery and introspection to the piece. The artwork explores the relationship between the human and the cosmic, hinting at the vastness of space and the isolation experienced by astronauts during their missions. This thought-provoking work invites the viewer to contemplate the human experience in the context of the unknown. ...

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James N. Kienitz Wilkins

James N. Kienitz Wilkins is a Brooklyn-based filmmaker whose films disbalance their own construction, with the image, traditionally being the core of moving image work, occupying peripheral space. His films are characterised by a rush of language, like the competing series of monologues in This Action Lies (2018), the public hearing transcript in Public Hearing (2012) and the reflections on cinema narrated by a Morgan Freeman impersonator in the VR film The Dynamic Range (2018). Absurdist and self-aware, Kienitz Wilkins’s works are contextualised by his personal experience of the social relations in his native New England, as well as the means of labour in the contemporary, digital age. The films, shown in exhibition spaces, are experimental documents of uncomfortable truths, social codes and anxieties that provocatively leak outside the conventions of moving images. ...

James N. Kienitz Wilkins: Artworks
The Second Person
James N. Kienitz WilkinsThe Second Person, 2018
30 x 35.5cm
Indefinite Pitch
James N. Kienitz WilkinsIndefinite Pitch, 2018
58.42cm
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