BAD BAD PAINTER

Helmut Stallaerts

BAD BAD PAINTER, 2020165 x 145cm15000 EUR
Details
MaterialGalleryLocation
oil and bee wax on canvasParliamentParis
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking, dreamlike composition. The colors are muted, with a predominance of bluish-purple hues that create a moody, mysterious atmosphere. The central focus is a large, ghostly figure shrouded in a translucent veil-like structure, suggesting a sense of fragility and impermanence. A solitary figure stands in the foreground, their pose and interaction with the central form hinting at a contemplative, introspective narrative. The overall style and technique convey a sense of the ethereal and the subconscious, inviting the viewer to ponder the deeper symbolic meaning behind this enigmatic and evocative scene. ...

Similar Artworks
Nothing personal OK
Sophie VarinNothing personal OK, 20221300 EUR
Mechanical Cabaret 4
Farah AtassiMechanical Cabaret 4, 202380000 USD
Blind date
Sophie VarinBlind date, 20221100 EUR
Mechanical Cabaret 2
Farah AtassiMechanical Cabaret 2, 202386000 USD
Yesterday
Ludovic NkothYesterday, 202312000 USD
Self-Portrait As A Good Boy 6
Sebastian BlackSelf-Portrait As A Good Boy 6, 2020Price on Request
Untitled
Mostafa SarabiUntitled, 20225000 EUR
Sans titre
Guillaume ValentiSans titre, 2018Price on Request
Kitty
Xiao Hanqiu 萧涵秋Kitty, 20224920 GBP
At the Café
Camille BlatrixAt the Café, 2021Price on Request
Untitled
Tala MadaniUntitled, 2021Price on Request
The Upper Floor
Artist
Helmut Stallaerts
1982 , Belgian

Helmut Stallaerts works across various mediums, including painting, film, installation, photographs, and is known for oppressive and unsettling nature. He is particularly noted for his paintings that depict uncanny scenes and sometimes using unconventional materials as supports. Man is the focal point of Stallaerts' extensive and complex body of work, his subjects often present the portraits in an awkward, theatrical manner, as if participating in an undefined ritual. The atmosphere created is eerie and dark, with sterile and cold environments that lack recognizable or familiar details. Time in his work is not depicted linearly, and the space in his paintings often appears as an enigmatic void. Stallaert captures moments, highlights what has always been there, and invites viewers to contemplate the mysteries of existence through his enigmatic, yet open-ended works. ...

Helmut Stallaerts: Artworks
A BOY’S TEMPTATION
Helmut StallaertsA BOY’S TEMPTATION, 2020Price on Request
DARKLIGHTS AND PROMISES (WOMAN IN FOREST WITH MOON)
Helmut StallaertsDARKLIGHTS AND PROMISES (WOMAN IN FOREST WITH MOON), 202015000 EUR
BAD BAD PAINTER
Helmut StallaertsBAD BAD PAINTER, 202015000 EUR
KYTHIRA
Helmut StallaertsKYTHIRA, 20202500 EUR
THE THREE PROJECTIONS
Helmut StallaertsTHE THREE PROJECTIONS, 202010000 EUR
THE BEEKEEPER
Helmut StallaertsTHE BEEKEEPER, 20154000 EUR
KYTHIRA
Helmut StallaertsKYTHIRA, 20202500 EUR
Indra age 13
Helmut StallaertsIndra age 13, 202211000 EUR
Moritz age 11
Helmut StallaertsMoritz age 11, 202210000 EUR
Man 3
Helmut StallaertsMan 3, 20228000 EUR
Lucie age 16
Helmut StallaertsLucie age 16, 20228000 EUR
Man 4
Helmut StallaertsMan 4, 20228000 EUR
An opposite
Helmut StallaertsAn opposite, 20228000 EUR
A transmitter
Helmut StallaertsA transmitter, 20229000 EUR
Past is present in time
Helmut StallaertsPast is present in time, 202211000 EUR
The Upper Floor
Helmut StallaertsThe Upper Floor, 202413500 EUR
I will
Helmut StallaertsI will, 202413500 EUR
Out of body
Helmut StallaertsOut of body, 20248000 EUR
Her revolution
Helmut StallaertsHer revolution, 20246000 EUR
Parliament
Gallery
Parliament
Paris

Parliament Gallery, founded in 2020, resembles a desire to rethink the function of the art gallery by formulating new proposals of audience interaction with the artwork and visibility to a new generation of french and international artists. Parliament wishes to build through a program that is dedicated to the circulation of ideas and collective reflection. The exhibition program will be interspersed with punctual “Interludes”, archive exhibitions and retrospectives, aiming to put into perspective the transdisciplinary character of creation.