Isabelle Cornaro
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Description
Human-crafted. AI-refined.The artwork presents a stark, monochromatic composition featuring geometric forms and industrial materials. The overall structure is dominated by sharp lines and angular shapes, creating a sense of visual tension. The prominent use of concrete, metal, and chain elements suggests an exploration of industrial aesthetics and the interplay between hard, unyielding materials. The style appears to be minimalist, with a focus on simplicity, materiality, and the intrinsic qualities of the objects depicted. The artwork likely reflects the artist's interest in exploring the intersection of sculpture, architecture, and the industrial world, inviting the viewer to contemplate the relationship between form, function, and the built environment. ...
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Isabelle Cornaro
1974 , FrenchThrough painting, sculpture, installation and film, Isabelle Cornaro explores the ways history and culture affect contemporary society’s perception of reality. A trained art historian specialising in 16th century European Modernism, the artist developed a visual language with art historical references to a wide range of periods, from baroque to modernism. In her series of installations titled Paysage avec poussin et témoins, Cornaro deconstructs landscapes in paintings of 17th-century artist Nicolas Poussin. Through the use of pedestals and meticulous orchestration of the display of objects, pathways and shadows, she turns landscapes into three-dimensional installations, questioning their cultural and aesthetic value. Cornaro often works with found objects and their assigned symbolism in the Western power dynamics, cultural representation and art history, tracing and challenging ways they shape one’s understanding of the world. ...
Isabelle Cornaro: Artworks
Galerie Francesca Pia
ZürichGalerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...