Tambour '57
Tambour '57
Tambour '57
Tambour '57

Latifa Echakhch

Tambour '57, 2012173 x 173 x 5cm120000 EUR
Details
MaterialGalleryLocation
ink on canvasDvir GalleryTel Aviv
Description
Human-crafted. AI-refined.

This monochrome artwork features a visually striking composition of countless tiny black dots or speckles against a pale, almost white background. The overall effect creates a sense of depth and texture, with the speckles appearing to recede into the frame. The uniform distribution of the dots across the surface suggests a methodical and precise technique, potentially using a sponge or other tool to apply the paint. While the subject matter is abstract, the resulting image evokes a celestial or cosmic quality, hinting at the artist's intention to explore themes of space, infinity, or the natural world on a microscopic scale. ...

Similar Artworks
Untitled #4, série Algérie Année 0
Dalila Dalléas BouzarUntitled #4, série Algérie Année 0, 2012Price on Request
Nous Sommes Les Halles 12
Mohamed BourouissaNous Sommes Les Halles 12, 2003Price on Request
Main
Benoit MaireMain, 2016Price on Request
Let it god (Santa Table)
Vidya GastaldonLet it god (Santa Table), 201319000 EUR
Série Rencontre
Dalila Dalléas BouzarSérie Rencontre, nullPrice on Request
The Evening Chair
Benoit MaireThe Evening Chair, 2021Price on Request
Unknown #18
Mohamed BourouissaUnknown #18, 2014Price on Request
Les colonnes
Vidya GastaldonLes colonnes, 2021Price on Request
a fake, Minneapolis Times Tribune, 12 October
Benoit Mairea fake, Minneapolis Times Tribune, 12 October, 2017Price on Request
Healing object (chaise fleurie)
Vidya GastaldonHealing object (chaise fleurie), 201912000 EUR
Sachsenhausen, Série Topographie des Terrors
Dalila Dalléas BouzarSachsenhausen, Série Topographie des Terrors, 2013Price on Request
Carré rouge
Mohamed BourouissaCarré rouge, 2005Price on Request
Streams II (#4, Aluminum)
Isabelle CornaroStreams II (#4, Aluminum), 2019Price on Request
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR
Cloud Painting
Benoit MaireCloud Painting, 202217000 USD
Nous Sommes Les Halles 10
Mohamed BourouissaNous Sommes Les Halles 10, 2003Price on Request
Sempervivum
Vidya GastaldonSempervivum, 200332000 EUR
Teach us to Outgrow our Madness
Alfredo JaarTeach us to Outgrow our Madness, 20206000 USD
Untitled #8, série Maison
Dalila Dalléas BouzarUntitled #8, série Maison, 2016Price on Request
Sea as Sky
Bouchra KhaliliSea as Sky, 201810000 USD
Text Mechanic Combination Generator
Shannon EbnerText Mechanic Combination Generator, 201510500 USD
Latifa Echakhch
Artist
Latifa Echakhch
1974, French/Moroccan

Born in 1974 in El Khnansa, Morocco. Lives and works in Switzerland. Latifa Echakhch often introduces associations with ‘cultural mementos’ that reveal a complicated relationships, where symbolic valency is subtracted, its absence suggesting an entirely new meaning and presence. Echakhch re-imagines and re-evaluates found objects and defamiliarizes the vernacular, questioning the meaning embedded in these and, in general, our own relationship and preconceptions towards such objects. Only when supposedly known objects have been emptied of their original meaning can they be read in many ways. Referencing and appropriating the archetypes, ideologies of modernism and beyond, she reflects on the often-prejudiced perception of national and religious identities in works that are both poetic and conceptual, and questions the semantics of cultural paradigms, providing instead what the artist calls “poetic transfiguration”. ...

Latifa Echakhch: Artworks
Derives 18
Latifa EchakhchDerives 18, 2011Price on Request
Erratum
Latifa EchakhchErratum, 2004100000 EUR
Fantasia
Latifa EchakhchFantasia, 2011150000 EUR
A chaque stencil une revolution, une apres l'autre
Latifa EchakhchA chaque stencil une revolution, une apres l'autre, 200918000 EUR
Untitled (black clouds)
Latifa EchakhchUntitled (black clouds), 201540000 EUR
Underneath
Latifa EchakhchUnderneath, 2017120000 EUR
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
Latifa EchakhchA fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019120000 EUR
Night Time (As Seen by Sim Ouch)
Latifa EchakhchNight Time (As Seen by Sim Ouch), 2022120000 EUR
Cross Fade
Latifa EchakhchCross Fade, 2016180000 EUR
Screen Shot R.M
Latifa EchakhchScreen Shot R.M, 201560000 EUR
Le concert
Latifa EchakhchLe concert, 20221000000 EUR
Night Time (As Seen by Sim Ouch)
Latifa EchakhchNight Time (As Seen by Sim Ouch), 2023180000 EUR
The All
Latifa EchakhchThe All, 2023120000 EUR
Tambour '57
Latifa EchakhchTambour '57, 2012120000 EUR
Dérives
Latifa EchakhchDérives, 2015120000 EUR
Sans titre (jardin exotique)
Latifa EchakhchSans titre (jardin exotique), 2018120000 EUR
Stand up straight and high, close the eyes and everything started to spin around. The wind is blowin...
Latifa EchakhchStand up straight and high, close the eyes and everything started to spin around. The wind is blowing again, 2019120000 EUR
Sun Set Down
Latifa EchakhchSun Set Down, 2022120000 EUR
The Dark Days
Latifa EchakhchThe Dark Days, 2024120000 EUR
The Dark Days
Latifa EchakhchThe Dark Days, 2024120000 EUR
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...