Now And Then It Comes Back 6

Jack Lavender

Now And Then It Comes Back 6, 2014180 x 90 x 3cmSign in to view price
Details
MaterialGallery
glass, paint, aluminium tape, sand, glue, paper, stickers, metal, toner, mixed mediaThe approach
Description
Human-crafted. AI-refined.

This abstract artwork features a dominant palette of vibrant reds and whites, with accents of yellow, creating a dynamic and expressive composition. The canvas is filled with energetic brushstrokes, splatters, and gestural marks, suggesting a sense of movement and spontaneity. The central form appears to be a nebulous, amorphous shape that evokes a sense of chaos and transformation. The artist's bold, gestural technique and use of vivid colors convey a raw, emotive quality, inviting the viewer to interpret the piece and its underlying themes. The artwork's style and technique suggest a connection to the expressive and experimental nature of Abstract Expressionism, reflecting the artist's intention to capture the essence of human experience through an abstract visual language. ...

Similar Artworks
He names
Clementine Bruno
He names, 2020
20 x 15 x 2cm
In the Dark; Off the Air
Michael & Chiyan Ho 何麦克&何智仁
In the Dark; Off the Air, 2021
160 x 180cm
The space of a shoe box (5G)
Danielle Dean
The space of a shoe box (5G), 2017
42.54 x 49.53cm
The space of a shoe box (4G)
Danielle Dean
The space of a shoe box (4G), 2017
52.7 x 31.75cm
10 to 16
Clementine Bruno
10 to 16, 2021
37 x 65.5 x 4cm
The landscape
Danielle Dean
The landscape, 2017
73.66 x 73.66cm
Essence of Stone
Storage for apparition
Clementine Bruno
Storage for apparition, 2020
16 x 58 x 30cm
10 to 16
Clementine Bruno
10 to 16, 2021
51 x 30.5 x 4cm
Double Glazed Window
Danielle Dean
Double Glazed Window, 2025
104 x 104cm
Yellow broom
Zoë Paul
Yellow broom, 2025
63.5 x 32 x 20cm
Untitled
Clementine Bruno
Untitled, 2019
24.1 x 18.1 x 2.9cm
Blind Item 
The Profitless Gift
Jala Wahid
The Profitless Gift, 2021
The plan was D, for dog, but also others (bed making)
Helen Marten
The plan was D, for dog, but also others (bed making), 2023
280 x 245 x 8.5cm
Insidious By Nature
Sojourners Settlers Sponge
Jay Tan
Sojourners Settlers Sponge, 2021
The space of a shoe box (6G)
Danielle Dean
The space of a shoe box (6G), 2017
27.94 x 30.48cm
Remember me to them
Artist
Jack Lavender
B.1983, British

Jack Lavender’s practice shifts between painting, drawing, sculpture, and collage. What unites all these strands is his infatuation with juxtaposition. Lavender obsessively collects random found objects such as plastic toys, kitchen equipment or basketball hoops which he finds himself drawn to, he incessantly photographs the British coastline. He also gathers printed materials from magazines, newspaper clippings, old books and flyers—with a particular focus on the 90s and 00s new age raver subcultures. This heady mix of materials is then intuitively and organically assembled together in either two-dimensional pieces or crossing over into three dimensions in the sculptural realm. Within this instinctive process of collaging, different motifs, patterns and images surface as narratives for each piece are built in tandem. Each positioning signals something to audiences, with the contrasts in each work telling different stories. Bizarre and playful in tone, Lavender’s work undeniably sits in conversation with Dada, Duchamp and Conceptual Art. However, his interest in the writing of Mark Fischer, current planetary conditions and rave culture distance his practice from these formal art historical references. In his own words, each piece is about “understanding where you’ve come from, where you’re going and seeing those two things as a whole”, with each piece hosting fragments from different historical moments, contexts, and geographies, an immense temporal and spatial elasticity is allocated to the works. ...

Jack Lavender: Artworks
in collaboration with Hannah Lees) White Magic
Jack Lavender
in collaboration with Hannah Lees) White Magic, 2013
136 x 41 x 27cm
A Hardcore Stomping Flashback
Jack Lavender
A Hardcore Stomping Flashback, 2015
27.5 x 20.8cm
Brutality of their transience
Jack Lavender
Brutality of their transience, 2021
234 x 89 x 97cm
Dreams Chunky 4
Jack Lavender
Dreams Chunky 4, 2013
215 x 122 x 32cm
Find Away Eternity
Jack Lavender
Find Away Eternity, 2013
271 x 86 x 34cm
Flashback Three Billion Was Highly Entertaining
Jack Lavender
Flashback Three Billion Was Highly Entertaining, 2014
220 x 130 x 3cm
Hannah
Jack Lavender
Hannah, 2012
130 x 80 x 24cm
Now And Then It Comes Back 6
Jack Lavender
Now And Then It Comes Back 6, 2014
180 x 90 x 3cm
Now And Then It Comes Back 13
Jack Lavender
Now And Then It Comes Back 13, 2014
180 x 90 x 3cm
Point the way nature I'm hungry
Jack Lavender
Point the way nature I'm hungry, 2013
182 x 70 x 30cm
Road Opener 4
Jack Lavender
Road Opener 4, 2015
180 x 90 x 3cm
Take Me Away
Jack Lavender
Take Me Away, 2013
272 x 71cm
The Past's All-Pervading Effect on the Present
Jack Lavender
The Past's All-Pervading Effect on the Present, 2015
228 x 130 x 100cm
Welcome Into The Light
Jack Lavender
Welcome Into The Light, 2013
68 x 27 x 27cm
Remember me to them
Jack Lavender
Remember me to them, 2018
150 x 65 x 65cm
Tired but Wired #4
Jack Lavender
Tired but Wired #4, 2021
26 x 37cm
Tired but Wired #6
Jack Lavender
Tired but Wired #6, 2021
25.6 x 20.5cm
Tired but Wired #9
Jack Lavender
Tired but Wired #9, 2021
23.5 x 19cm
Untitled
Jack Lavender
Untitled, 2017
180 x 130 x 4cm
XY
Jack Lavender
XY, 2016
193 x 127 x 42cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access