Gaslight

Jan De Maesschalck

Gaslight, 202140 x 50 x 2cmPrice on Request
Details
MaterialGallery
oil on wooden panelMartins&Montero
Description
Human-crafted. AI-refined.

This evocative portrait showcases a dramatic interplay of light and shadow. The composition centers on the figure's introspective gaze, their features obscured by a veil-like headdress. Warm tones of amber and ochre dominate the palette, creating a sense of intimacy and introspection. The artist's skilled brushwork suggests the ethereal quality of the subject's expression, hinting at an emotional or psychological depth. This work likely reflects the artist's intention to capture a moment of quiet contemplation, inviting the viewer to ponder the sitter's inner world. ...

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IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Artist
Jan De Maesschalck
Belgian

Jan De Maesschalck: Artworks
Untitled (the drift)
Jan De MaesschalckUntitled (the drift), 201720007 USD
Chaperon
Jan De MaesschalckChaperon, 202320007 USD
Untitled
Jan De MaesschalckUntitled, 200920007 USD
Gaslight
Jan De MaesschalckGaslight, 2021Price on Request
IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Jan De MaesschalckIMPERSONATION (BASED A PHOTO BY JOHAN JACOBS), 2022Price on Request
Untitled
Jan De MaesschalckUntitled, 200920007 USD
I WISH YOU
Jan De MaesschalckI WISH YOU, 201020007 USD
UNTITLED (MIRROR)
Jan De MaesschalckUNTITLED (MIRROR), 201720007 USD
TOO MANY TEARDROPS
Jan De MaesschalckTOO MANY TEARDROPS, 202425724 USD
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...