Untitled

Jan De Maesschalck

Untitled, 200938 x 62cmPrice on Request
Details
MaterialGalleryLocation
oil on panelMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

This striking oil painting depicts a close-up of a woman's face and upper body. The muted color palette of greys, browns, and beiges creates a somber, introspective mood. The subject's eyes are closed, and her hair is swept back in a dramatic gesture, lending a sense of vulnerability and introspection. The blurred, gestural brushwork adds an ethereal quality to the piece, evoking a sense of dreamlike contemplation. This work seems to explore themes of inner reflection and the human condition, inviting the viewer to consider the subject's emotional state and the artist's underlying message. ...

Similar Artworks
I’m gonna shit and piss and cry and piss in my mouth because soft and wet hasn’t cum out yet
Aline BouvyI’m gonna shit and piss and cry and piss in my mouth because soft and wet hasn’t cum out yet, 202215000 EUR
Snake Wall
Caragh ThuringSnake Wall, 20183500 GBP
IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Artist
Jan De Maesschalck
, Belgian

Jan De Maesschalck: Artworks
Untitled (the drift)
Jan De MaesschalckUntitled (the drift), 2017Price on Request
Chaperon
Jan De MaesschalckChaperon, 2023Price on Request
Untitled
Jan De MaesschalckUntitled, 2009Price on Request
Gaslight
Jan De MaesschalckGaslight, 2021Price on Request
IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Jan De MaesschalckIMPERSONATION (BASED A PHOTO BY JOHAN JACOBS), 2022Price on Request
Untitled
Jan De MaesschalckUntitled, 2009Price on Request
I WISH YOU
Jan De MaesschalckI WISH YOU, 2010Price on Request
UNTITLED (MIRROR)
Jan De MaesschalckUNTITLED (MIRROR), 2017Price on Request
TOO MANY TEARDROPS
Jan De MaesschalckTOO MANY TEARDROPS, 2024Price on Request
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...