IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)

Jan De Maesschalck

IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS), 202265.2 x 55.2cmSign in to view price
Details
MaterialGallery
oil on canvasMartins&Montero
Description
Human-crafted. AI-refined.

This evocative artwork features a striking female figure sitting in a contemplative pose against a dark, atmospheric background. The use of muted colors, primarily dark greens and blacks, creates an eerie, haunting mood. The central figure's long, flowing hair and her pensive expression suggest a sense of mystery and introspection. The overall composition emphasizes the solitary nature of the subject, evoking a sense of isolation and melancholy. This piece seems to explore themes of the human condition, the complex inner life, and the interplay between the physical and the metaphysical. ...

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IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Artist
Jan De Maesschalck
Belgian

Jan De Maesschalck: Artworks
Untitled (the drift)
Jan De Maesschalck
Untitled (the drift), 2017
72.8 x 90.8 x 3cm
Chaperon
Jan De Maesschalck
Chaperon, 2023
76.5 x 61 x 2cm
Untitled
Gaslight
Jan De Maesschalck
Gaslight, 2021
40 x 50 x 2cm
IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS)
Jan De Maesschalck
IMPERSONATION (BASED A PHOTO BY JOHAN JACOBS), 2022
65.2 x 55.2cm
Untitled
I WISH YOU
Jan De Maesschalck
I WISH YOU, 2010
45 x 55.5cm
UNTITLED (MIRROR)
Jan De Maesschalck
UNTITLED (MIRROR), 2017
55.3 x 40.5cm
TOO MANY TEARDROPS
Jan De Maesschalck
TOO MANY TEARDROPS, 2024
80 x 60cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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