I'm loving nothing

Jasmine Gregory

I'm loving nothing, 202490 x 100cmSign in to view price
Details
MaterialGallery
oil on linen, epoxy, plastic, steel hangerMartina Simeti
Description
Human-crafted. AI-refined.

The artwork presents a striking visual contrast with its combination of a dark, moody painting and a cascading installation of tangled, metallic material. The painting's bold, gestural brushstrokes and somber tones create a sense of depth and emotion, while the metallic sculpture appears to flow and drip, adding a sense of movement and fragility. The artist's use of diverse materials and techniques reflects an experimental and innovative approach, blending the boundaries between painting and sculpture. The work invites viewers to ponder the interplay between the static and the dynamic, the tangible and the ephemeral, hinting at deeper themes of human experience and the constant state of flux in the natural world. ...

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Jasmine Gregory
Artist
Jasmine Gregory
B.1987, USA

Through painting, sculpture and installation, Jasmine Gregory explores the tensions of artistic production within a narrative system on the dominant values and symbols of hierarchy and power that permeate the social space. Jasmine Gregory’s paintings and sculptures are rich in historical references and are inspired by a critical and at times sarcastic reflection on painting as an artistic medium in today’s world. “My painterly ability and style switch between academicism and amateurism, highly stylized and playful, dark and comedic to create unconventional relationships within the composition that challenge and critique the traditional discourse of painting.” In 2023 Gregory was amongst the finalists of the Swiss Art Awards. She lives and works in Zurich. ...

Jasmine Gregory: Artworks
Martina Simeti
Gallery
Martina Simeti
Milan

Since the gallery was established in 2018, Martina Simeti has cultivated an interdisciplinary program. Martina Simeti is deeply involved in the production process together with the represented artists, working actively to generate new opportunities for exhibition beyond its own walls.