Jemima Wyman

Undead Aggregate Icon (1), 202260 x 55 x 5cmPrice on Request

Details

MaterialGalleryLocation

hand-cut digital photographs, frameCommonwealth and CouncilLos Angeles

Description

Human-crafted. AI-refined.

This contemporary artwork features an intricate composition of various skull-like shapes and images arranged in the form of an inverted pyramid or diamond shape. The visual elements are predominantly monochromatic, with a range of black, white, and gray tones punctuated by occasional pops of color, creating a striking and visually compelling arrangement. The subject matter appears to be a commentary on mortality, with the abundance of skull-like forms serving as symbolic representations of death and the transience of human existence. The artist's use of collage and assemblage techniques lends the piece a distinctive, textured quality, contributing to its overall stylistic approach. This artwork seems to explore the duality of life and death, inviting the viewer to reflect on the fragility and impermanence of the human experience. ...

Similar Artworks

Etinosa YvonneThis Bond Between Us, 2019Price on Request

Ketuta Alexi-MeskhishviliToma Vova Gogi, 2023Price on Request

Maria LobodaThe Ngombo (6), 20165000 EUR

Wolfgang TillmansLagos still life II, 202212000 EUR

Ketuta Alexi-MeskhishviliDusty Days, 202312000 EUR

Etinosa YvonneStand-Off, 2020Price on Request

Andrea BowersReSisters, 2017Price on Request

Anna Sew HoyEntanglement IV, 20249000 USD

Mariah GarnettThe Emotional Lives of Animals, 2021Price on Request

Jennifer MoonColin Heap, 2012Price on Request

Helen JohnsonSorry and thankyou, 2022Price on Request

Maria Lobodato be looked at with the sound of e ruscha v the hostess, 20212350 EUR

Artist

Jemima Wyman

1977 , Australian

Jemima Wyman is interested in the notion of visual resistance through camouflage, patterning and masking. The artist – a palawa woman who is a descendant of the pairrebeener people of tebrakunna and poredareme – investigates and considers camouflage, when used by marginalised groups, as a tactic and subversive political and social strategy used to gain counter-power in conflict zones. Wyman recognises the importance of opacity in a post-truth society marred by state surveillance and hyper-transparency. Not only does camouflage and masking obscure identity, but ‘communal skins’ can act as a binding agent, creating collective identities; ‘when worn, a mask may permit an individual to simultaneously transgress social boundaries while belonging to a group. In this way, identity is expressed yet anonymity is protected.’ Written by Goldsmiths CCA ...

Jemima Wyman: Artworks

Jemima WymanHaze 5/6, 2022Price on Request

Jemima WymanUndead Aggregate Icon (2), 2022Price on Request

Jemima WymanPlume 18, 2022Price on Request

Jemima WymanHaze 2, 2022Price on Request

Jemima WymanHaze 8 (Pink, Orange), 2022Price on Request

Jemima WymanTransboundary Dissent, 2022Price on Request

Jemima WymanTransboundary Dissent/Protest Line (2), 2022Price on Request

Jemima WymanHaze 7 (Blue Green), 2022Price on Request

Jemima WymanFound skull @minimalbotany, 2022Price on Request

Jemima WymanUndead Aggregate Icon (1), 2022Price on Request

Jemima WymanPlume 19, 2022Price on Request

Jemima WymanCoated Shelter-quarter (Anonymous March, Los Angeles, USA, March 15, 2008 (Stars), Protesters for the protection of Sumatran tigers, Jakarta, Indonesia, September 12, 2012 (Tiger stripes) and March against Monsanto protesters, Florida, USA, October 12, 2013 (Tie-Dye)),, 2018Price on Request

Jemima WymanCountermeasure Cloak, 2018Price on Request

Jemima WymanMass Monument (Counterillumination),, 2018Price on Request

Jemima WymanDeepsurface and Cautionary signs (Anonymous March, Los Angeles, USA, March 15, 2008 (Stars), March against Monsanto protesters, Florida, USA, October 12, 2013 (Tie-Dye), Budget-cut protester, London, March 26, 2011 (Cat), Anti-labor Law protester, Paris, France, June 14, 2016 (Stripes), Greenpeace activists against deforestation, Tartagal, Argentina, August 31, 2004 (Jaguar spots), Occupy Wall St protester, New York, USA, October 15, 2011 (Coin), 2018Price on Request

Jemima WymanCoated Shelter-quarter (Anti-government protests, Skopje, Macedonia, May 4, 2016 (Paint bombs), Protester at the RNC for good jobs, healthcare, affordable education, equality and peace, Florida, USA, August 27, 2012 (A’s) and “We Will Not Go Back” protester, New York, USA, December 17, 2014 (Bullet holes), 2018Price on Request

Jemima WymanCoated Shelter-quarter (Anti-Trump protesters, Manila Philippines, November 14, 2017 (Bombs) and Protester against the death of Michael Brown, Missouri, USA, August 17, 2014 (Skulls and stripes)), 2018Price on Request

Jemima WymanCoated Shelter-quarter (Women’s March, Pittsburg, USA, January 21, 2017 (Vagina Eye) and Anti-Prisoner Release protest banner, Israel, August 13, 2013 (Hands)), 2018Price on Request

Jemima WymanDeepsurface Fray Rage (Anti-Prisoner Release protest banner, Israel, August 13, 2013 (Hands), Protester at the RNC for good jobs, healthcare, affordable education, equality and peace, Florida, USA, August 27, 2012 (A’s), “We Will Not Go Back” protester, New York, USA, December 17, 2014 (Bullet holes), March against corruption, Brazil, September 7, 2011 (Finger-painted cross), Women’s March, Pittsburg, USA, January 21, 2017 (Vagina Eye), Anti-government protests, Skopje, Macedonia, May 4, 2016 (Paint bombs), Protest banner against Trump immigration policies, Los Angeles, USA, June 30, 2018 (Hands on hands), May Day protester medics, Seattle, USA, May 9, 2012 (Taped cross)), 2018Price on Request

Jemima WymanConjuring Radical Openness, 2015Price on Request

Jemima WymanPlume 27, 2024Price on Request

Jemima WymanPlume 19, 2022Price on Request

Jemima WymanHaze 25, 2024Price on Request

Gallery

Commonwealth and Council

Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities.