This contemporary artwork features a complex, surreal composition with an array of organic and geometric shapes in muted tones of green, brown, and white. The predominant subject matter depicts intertwined figures, evoking a sense of transformation or metamorphosis. The artist employs distinctive techniques, such as the use of curving lines and distorted proportions, to create a dreamlike, biomorphic aesthetic. The historical context and the artist's intention behind this piece likely explore themes of the human condition, the relationship between technology and the body, or the subconscious realm. ...
Justin Fitzpatrick works across the mediums of painting, sculpture and text. His recent figurative paintings and sculptures draw on the tradition of metaphysic conceit poetry, where an analogy is set up between a metaphysical quality and a physical object. The more far-fetched the relationship is between the two terms, for example in John Donne’s ‘The Flea’, the more ornamental and imaginative the poem becomes. By highlighting this distance between two terms, and the creative energy used to connect them, our attention is focussed on the performative power of metaphor itself and how it transforms reality. Subjects of Fitzpatrick’s work include an expanding collection of archetypal characters viewed through the lens of class and sexuality: the chef, the waiter, the monk, the construction worker and the police officer. ...
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